Lucy R. Lippard: Six Years: The Dematerialization of the Art Object from 1966 to 1972 (1973–) [EN, ES]

Full title: Six Years: The dematerialization of the art object from 1966 to 1972: a cross-reference book of information on some esthetic boundaries: consisting of a bibliography into which are inserted a fragmented text, art works, documents, interviews, and symposia, arranged chronologically and focused on so-called conceptual or information or idea art with mentions of such vaguely designated areas as minimal, anti-form, systems, earth, or process art, occurring now in the Americas, Europe, England, Australia, and Asia (with occasional political overtones) edited and annotated by Lucy R. Lippard.

“In Six Years Lucy R. Lippard documents the chaotic network of ideas that has been labeled conceptual art. The book is arranged as an annotated chronology into which is woven a rich collection of original documents–including texts by and taped discussions among and with the artists involved and by Lippard, who has also provided a new preface for this edition. The result is a book with the character of a lively contemporary forum that offers an invaluable record of the thinking of the artists–a historical survey and essential reference book for the period.” (from the back cover)

Publisher Praeger, New York, 1973
Reprint University of California Press, 1997
ISBN 0520210131, 9780520210134
xxii+272 pages

Review: Clive Phillpot (Leonardo, 1975).

2012 exhibition based on the book, Interview with curator

WorldCat

Six Years (English, 1973, 129 MB, JPG, added on 2019-1-12)
Six Years (English, 1973/1997, 40 MB, via Sofia Carrillo Herrerias)
Seis años (Spanish, trans. Luz Rodríguez Olivares, 2004, 102 MB, via marcelo, updated on 2020-4-28)

Ada Raev: Russische Künstlerinnen der Moderne (1870-1930). Historische Studien, Kunstkonzepte, Weiblichkeitsentwürfe (2002) [German]

“Mit ihren Werken, ihren theoretischen Positionen und ihren Aktivitäten im zeitgenössischen Kunstleben haben russische Künstlerinnen die Geschichte der russischen und europäischen Kunst zwischen 1880 und 1930 wesentlich mitgeprägt.

Das Buch spürt den mentalitätsgeschichtlichen, politischen und institutionellen Voraussetzungen des Phänomens “Russische Künstlerinnen der Moderne” nach und stellt ihr Wirken im zeitgenössischen Kanon der Künste (Kunsthandwerk, Graphik und Buchkunst, Malerei, Plastik, Szenographie) vor.”

Publisher Wilhelm Fink, Munich, 2002
Open access
ISBN 3770536991, 9783770536993
451 pages

Reviews: Renate Berger (kritische berichte 2004), Karoline Hille (Frauen Kunst Wissenschaft 2004), Alexandra Oberländer (Jahrbücher für Geschichte Osteuropas 2005).

Publisher
WorldCat

JPGs, PDF

Leslie Martin, Ben Nicholson, Naum Gabo (eds.): Circle: International Survey of Constructive Art (1937/1971)

This book contains work and writings by virtually all the leading architects and artists of the international constructivism of the 1930s.

First published in London, 1937.
Reprinted by Praeger Publishers, New York, 1971
viii+291 pages
in the Unlimited Edition

Wikipedia
WorldCat

PDF (58 MB, no OCR)