Vilém Flusser: Into the Universe of Technical Images (1985–) [DE, HU, CZ, EN]

Poised between hope and despair for a humanity facing an urgent communication crisis, this work by Vilém Flusser forecasts either the first truly human, infinitely creative society in history or a society of unbearable, oppressive sameness, locked in a pattern it cannot change. First published in German in 1985 and now available in English for the first time, Into the Universe of Technical Images outlines the history of communication technology as a process of increasing abstraction.

Flusser charts how communication evolved from direct interaction with the world to mediation through various technologies. The invention of writing marked one significant shift; the invention of photography marked another, heralding the current age of the technical image. The automation of the processing of technical images carries both promise and threat: the promise of freeing humans to play and invent and the threat for networks of automation to proceed independently of humans.

Originally published in German as Ins Universum der technischen Bilder, European Photography, 1985

Czech edition: Do universa technických obrazů
Translated by Jiří Fiala
Publisher OSVU, 2002
ISBN 8023875698
162 pages

English edition
Translated by Nancy Ann Roth
Introduction by Mark Poster
Publisher University of Minnesota Press, 2011
Volume 32 of Electronic Mediations
ISBN 0816670218, 9780816670215
224 pages

Review (Bob Hanke, International Journal of Communication)

Translator (EN)
Publisher (EN)

Ins Universum der technischen Bilder (German, 1985, added on 2016-8-4)
A technikai képek univerzuma felé (Hungarian, trans. József Maleczki, 2001; revised trans. Dalma Török, 2011; HTML, added on 2014-2-14)
Do universa technických obrazů (Czech, Jiří Fiala, 2002, no OCR, added on 2013-4-1)
Into the Universe of Technical Images (English, trans. Nancy Ann Roth, 2011, updated on 2012-7-17)

Norbert Wiener: The Human Use of Human Beings: Cybernetics and Society (1950–) [EN, FR, BR-PT, RU, ES, SC, IT, GR]

“Founder of the science of cybernetics—the study of the relationship between computers and the human nervous system—Wiener was widely misunderstood as one who advocated the automation of human life. As this book reveals, his vision was much more complex and interesting. He hoped that machines would release people from relentless and repetitive drudgery in order to achieve more creative pursuits. At the same time he realized the danger of dehumanizing and displacement. His book examines the implications of cybernetics for education, law, language, science, technology, as he anticipates the enormous impact—in effect, a third industrial revolution—that the computer has had on our lives.”

Publisher Houghton Mifflin, Boston, 1950
241 pages

New edition
With an Introduction by Steve J. Heims
Published by Free Association Books, London, 1989
ISBN 1853430757
xxx+199 pages

Wikipedia (EN)

The Human Use of Human Beings: Cybernetics and Society (English, 1950, added on 2021-4-8)
The Human Use of Human Beings: Cybernetics and Society (English, 1950/1989, updated on 2021-4-8)
Cybernétique et société: l’usage humain des êtres humains (French, 1952/2014, EPUB, added on 2021-4-8)
Cibernética e sociedade: o uso humano de seres humanos (BR-Portuguese, trans. José Paulo Paes, 2nd ed., 1954/1968, added on 2013-12-12)
Kibernetika i obshchestvo (Russian, trans. E.G. Panfilov, 1958, DJVU, added on 2021-4-8)
Cybernética y sociedad (Spanish, trans. José Novo Cerro, 1958, added on 2021-4-8)
Kibernetika i društvo: ljudska upotreba ljudskih bića (Serbo-Croatian, trans. Ljubomir Radanović, 1964, added on 2021-4-8)
Introduzione alla cibernetica: l’uso umano degli esseri umani (Italian, trans. Dario Persiani, 1966, added on 2021-4-8)
Kyvernētikē kai koinōnia: ē anthrōpinē chrēsimopoiēsē tōn anthrōpinōn ontōn (Greek, trans. Giannē Iōannidē, 1970, DJVU, added on 2021-4-8)

Yve Alain Bois, Rosalind E. Krauss: Formless: A User’s Guide (1996/1997)

“In a work that will become indispensable to anyone seriously interested in modern art, Yve-Alain Bois and Rosalind Krauss convincingly introduce a new constellation of concepts to our understanding of avant-garde and modernist art practices. Formless constitutes a decisive and dramatic transformation of the study of twentieth-century culture. Although it has been over sixty years since Georges Bataille undertook his philosophical development of the term informe, only in recent years has the idea of the “formless” been deployed in theorizing and reconfiguring the very field of twentieth-century art. This is partly because that field has most often been crudely set up as a battle between form and content, whereas “formless” constitutes a third term that stands outside the opposition of form and content, outside the binary thinking that is itself formal.

In Formless, Bois and Krauss, two of the most influential and respected art historians of our time, present a rich and compelling panorama of the formless. They map out its persistence within a history of modernism that has always repressed it in the interest of privileging formal mastery, and they assess its destiny within current artistic production. In the domain of practice, they analyze it as an operational tool, the structural cunning of which has repeatedly been suppressed in the service of a thematics of art. Neither theme nor form, formless is, as Bataille himself expressed it, a “job.” The job of Formless is to explore the power of the informe. A stunning new map of twentieth-century art emerges from this innovative reconceptualization and from the brilliantly original analyses of the work of Jackson Pollock, Andy Warhol, Cy Twombly, Lucio Fontana, Cindy Sherman, Claes Oldenburg, Jean Dubuffet, Robert Smithson, and Gordon Matta-Clark, among others.”

First published as L’Informe: mode d’emploi, Centre Georges Pompidou, Paris, 1996.

Publisher Zone Books, 1997
ISBN 0942299434, 9780942299434
304 pages

Publisher

PDF (updated on 2013-1-15)