Interventions in Digital Cultures: Technology, the Political, Methods (2017)

20 November 2017, dusan

“How to intervene? Interventions are in vogue in digital cultures as forms of critique or political actions into public spheres. By engaging in social, political, and economic contexts, interventions attempt to interrupt and change situations—often with artistic means. This volume maps methods of interventions under the specific conditions of the digital. How are interventions shaped by these conditions? And how can they contribute to altering them? In essays and interviews, this book interrogates modes of intervening in and through art, infrastructures, techno-ecological environments, bio-technology, and political protests to highlight their potentials as well as their ambivalences.”

With contributions by Martina Leeker, Fred Turner, Howard Caygill, Alexander R. Galloway, Wendy Hui Kyong Chun, Ulrike Bergermann, Steve Kurtz, Kat Jungnickel, and Tobias Schulze.

Edited by Howard Caygill, Martina Leeker, and Tobias Schulze
Publisher meson press, Lüneburg, 2017
Digital Cultures series
Creative Commons BY-SA 4.0 License
ISBN 9783957961105, 3957961106
148 pages

Publisher
WorldCat

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Joy Forever: The Political Economy of Social Creativity (2014)

18 October 2017, dusan

“The title Joy Forever refers to the false promise of a common happiness, constantly played out by the proponents of the creative class and creative economy – the very promise that since Romanticism has been ascribed to art itself, a vow which remains unfulfilled. The aim of the publication is to scrutinize the false promises of distributed creativity as an ideology of cognitive capitalism. The authors devote themselves to critical examination of the structural links between art, creativity, labour and the creation of value under contemporary relations of production. Some of them do not stop at a critical diagnosis but go further, reflecting upon potential alternatives to the status quo.

The book covers more than the issues of a narrowly understood art world, despite the fact that it pays a lot of attention to them. Art is conceived here as a social lab, where innovative ways of organizing of labour, socializing both for labour and through labour, as well as different types of production, speculation, generation and accumulation and appropriation of value are experimented with and tested.

The book gathers papers based on presentations at the conference Labour of the Multitudes? Political Economy of Social Creativity, organized in Warsaw in October 2011. It includes contributions by Luc Boltanski, Neil Cummings, Diedrich Diederichsen, Isabelle Graw, Massimiliano Tomba, Stevphen Shukaitis, Martha Rosler, and others.”

Edited by Michał Kozłowski, Agnieszka Kurant, Jan Sowa, Krystian Szadkowski and Jakub Szreder
Publisher Free/Slow University of Warsaw, in cooperation with MayFly Books, London, 2014
Creative Commons BY-NC-ND 4.0 International License
ISBN 9781906948191, 1906948194
xviii+274 pages

Publisher (EN)
Publisher (PL)
WorldCat

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Sounding Off! Music as Subversion/Resistance/Revolution (1995)

16 July 2017, dusan

Under the rallying cry of ‘Music is our bomb!’, this book collects thirty-eight articles and interviews with all sorts of practitioners of musicopolitical activism.

Edited by Ron Sakolsky and Fred Wei-han Ho
Publisher Autonomedia, Brooklyn, NY, 1995
ISBN 1570270589, 9781570270581
352 pages

WorldCat

PDF (16 MB, updated on 2017-7-19 to OCR version via esco_bar)