Manuel Castells: The Rise of the Network Society, 2nd ed. (2000/2009)

This first book in Castells’ groundbreaking trilogy, with a substantial new preface, highlights the economic and social dynamics of the information age and shows how the network society has now fully risen on a global scale.

* Groundbreaking volume on the impact of the age of information on all aspects of society
* Includes coverage of the influence of the internet and the net-economy
* Describes the accelerating pace of innovation and social transformation
* Based on research in the USA, Asia, Latin America, and Europe

2nd Edition with a New Preface
Publisher John Wiley and Sons, 2009
Volume 1 of Information Age: Economy, Society, and Culture
ISBN 1405196866, 9781405196864
Length 656 pages

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Simon Sadler: Archigram: Architecture without Architecture (2005)

“In the 1960s, the architects of Britain’s Archigram group and Archigram magazine turned away from conventional architecture to propose cities that move and houses worn like suits of clothes. In drawings inspired by pop art and psychedelia, architecture floated away, tethered by wires, gantries, tubes, and trucks. In Archigram: Architecture without Architecture, Simon Sadler argues that Archigram’s sense of fun takes its place beside the other cultural agitants of the 1960s, originating attitudes and techniques that became standard for architects rethinking social space and building technology. The Archigram style was assembled from the Apollo missions, constructivism, biology, manufacturing, electronics, and popular culture, inspiring an architectural movement—High Tech—and influencing the postmodern and deconstructivist trends of the late twentieth century.

Although most Archigram projects were at the limits of possibility and remained unbuilt, the six architects at the center of the movement, Warren Chalk, Peter Cook, Dennis Crompton, David Greene, Ron Herron, and Michael Webb, became a focal point for the architectural avant-garde, because they redefined the purpose of architecture. Countering the habitual building practice of setting walls and spaces in place, Archigram architects wanted to provide the equipment for amplified living, and they welcomed any cultural rearrangements that would ensue. Archigram: Architecture without Architecture—the first full-length critical and historical account of the Archigram phenomenon—traces Archigram from its rediscovery of early modernist verve through its courting of students, to its ascent to international notoriety for advocating the “disappearance of architecture.””

Publisher MIT Press, 2005
ISBN 0262693224, 9780262693226
242 pages

Publisher

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Sarai Readers 01-07 (2001-2007)

Sarai Reader 07: Frontiers, 2007

Frontiers considers limits, edges, borders and margins of all kinds as the sites for declarations, occasions for conversations, arguments, debates, recounting and reflection. Our book suggests that you consider the frontier as the skin of our time and our world and we invite you to get under the skin of contemporary experience in order to generate a series of crucial (and frequently unsettling) narrative and analytical possibilities.

We have always viewed the Sarai Reader as hospitable to new and unprecedented ideas, as a space of refuge where wayward reflections can meet half forgotten agendas. we hope our text this year sets the stage for a productive encounter with the demand for an account of the boundaries, parameters and verges of our times.

Editors: Monica Narula, Shuddhabrata Sengupta, Jeebesh Bagchi, Ravi Sundaram
Associate Editor: Smriti Vohra

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Sarai Reader 06: Turbulence, 2006

Sarai Reader 06 uses ‘Turbulence’ as a conceptual vantage point from which to interrogate all that is in the throes of terminal crisis, and to invoke all that is as yet unborn. It seek to examine ‘turbulence’ as a global phenomenon, unbounded by the arbitrary lines that denote national and state boundaries in a ‘political’ map of the world. It wants to see areas of low and high pressure in politics, economy and culture that transcend borders, to investigate the flow of information and processes between downstream and upstream sites in societies and cultures globally.

Editors: Monica Narula, Shuddhabrata Sengupta, Ravi Sundaram, Jeebesh Bagchi, Awadhendra Sharan + Geert Lovink
Associate Editor: Smriti Vohra

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Sarai Reader 05: Bare Acts, 2005

‘Bare Acts’ looks at ‘Acts’- at instruments of legislation, at things within and outside the law, and at ‘acts’ – as different ways of doing things in society and culture. The Reader foregrounds explorations of borders, surveillance, claims to authority and entitlement, the legal regulation of sexuality and trespasses of various kinds.

Editors: Monica Narula, Shuddhabrata Sengupta, Jeebesh Bagchi + Geert Lovink
Guest Editor: Lawrence Liang
Associate Editor: Smriti Vohra

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Sarai Reader 04: Crisis / Media, 2004

The 2004 Reader produced by Sarai, is devoted to the dual themes of crisis reporting in the media, and the crisis within the media when it comes to the reportage of violence. Crisis pervades the times we live, and becomes palpable entity in itself. To acknowledge the pervasiveness of the crisis in our times, is also to engage with the media through which crisis, and the representation of crisis, become the ‘substance of our morning’s meditations’.

Editorial collective: Shuddhabrata Sengupta, Monica Narula, Ravi Vasudevan, Ravi Sundaram, Jeebesh Bagchi & Awadhendra Sharan [Sarai] + Geert Lovink

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Sarai Reader 03: Shaping Technologies, 2003

“Shaping Technologies ” sets out to ratchet our engagement with the contemporary moment a notch higher, in directions that are sober, exhilarating and discomfiting, all at once. The book brings to the fore a series of situations and predicaments that mark the encounter between people and machines, between nature and culture, and between knowledge and power.

Editorial collective: Ravi Vasudevan, Ravi Sundaram, Jeebesh Bagchi, Monica Narula, Shuddhabrata Sengupta [Sarai], Geert Lovink, Marleen Stikker [Waag]

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Sarai Reader 02: The Cities of Everyday Life, 2002

This year’s Sarai Reader brings together a range of critical thinking on urban life and the contemporary, marked by spreading media cultures, new social conflict and globalisation. Scholars, media practitioners, critics and activists use a flow of images, memories and hidden realities to create a fascinating array of original interventions in thinking about cities today. In the context of India, where a large part of this reader has been edited, this is significant, given the frugality of writing on city life in this part of the world.

Editors: Ravi Vasudevan, Ravi Sundaram, Jeebesh Bagchi, Monica Narula, Geert Lovink, Shuddhabrata Sengupta

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Sarai Reader 01: The Public Domain, 2001

Sarai Reader 01, (which is the first of what we hope will be more such collections) can be seen both as a navigation log of actual voyages and a map for possible journeys into a real and imagined territory that we have provisionally called the “Public Domain”. This republic without territory is a sovereign entity that comes into being whenever people gather and begin to communicate, using whatever means that they have at hand, beyond the range of the telescope of the merchant, and outside the viewing platform of the microscope of the censor.

Editors: Raqs Media Collective (Sarai) + Geert Lovink (Waag)

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Produced at the Sarai Media Lab, Delhi