Gerald Matt (ed.): Interviews 1-2 (2007, 2008) [English/German]

25 May 2010, dusan


Interviews 2

Conversations with 42 artists from Matthew Barney to Louise Bourgeois, Kunsthalle Wien, 2008.
The interviews within the “art system” presents a particularly suitable form of creating an equal platform of exchange between creator and distributor of art, a “medium”, which conveys authentic information from the artist to an audience interested in art as well as to art critique and theory. While integrating the narrative and personal, this way of self-positioning counteracts the image of the “speechless” visual artist – to a certain extent still being perpetuated today – and mirror the diversity of contemporary art production by a lively dialogue.

360 pages, 127 coloured and 10 b/w illustrations, foreword by Gerald Matt, ISBN 978-3-86560-364-7
Editor: Kunsthalle Wien, Gerald Matt
Publisher: Verlag der Buchhandlung Walther König, Köln
Year: 2008

publisher (English)
publisher (German)


Interviews

The interviews, published in the book, are selected from a larger number of conversations with artists in the course of the recent curatorial and art publishing activities from Gerald Matt, Director Kunsthalle Wien
Over several years, he was able, in most cases, to observe these artists’ work through repeated personal encounters and as they passed through the international exhibition circuits.

356 pages, 127 coloured and 10 b/w illustrations, foreword by Gerald Matt
ISBN: 3-86560-186-3, 987-86560-186-5
Editor: Kunsthalle Wien, Gerald Matt
Publisher: Verlag der Buchhandlung Walther König, Köln
Year: 2007

publisher (English)
publisher (German)

PDF (Interviews 2, English)
PDF (Interviews 2, German)
PDF (Interviews, English)
PDF (Interviews, German)

Nicolas Bourriaud: The Radicant (2009) [English/Spanish]

18 February 2010, dusan

In his most recent essay, Nicolas Bourriaud claims that the time is ripe to reconstruct the modern for the specific context in which we are living. If modernism was a return to the origin of art or of society, to their purification with the aim of rediscovering their essence, then our own century’s modernity will be invented, precisely, in opposition to all radicalism, dismissing both the bad solution of re-enrooting in identities as well as the standardization of imaginations decreed by economic globalization.

To be radicant: it means setting one’s roots in motion, staging them in heterogeneous contexts and formats, denying them any value as origins, translating ideas, transcoding images, transplanting behaviors, exchanging rather than imposing. The author extends radicant thought to modes of cultural production, consumption and use. Looking at the world through the prism of art, he sketches a “world art criticism” in which works are in dialogue with the context in which they are produced.

Translated from the French by James Gussen and Lili Porten
Publisher: Sternberg Press, March 2009
ISBN 978-1-933128-42-9
192 pages

Traducción de Michele Guillemont
Buenos Aires: Adriana Hidalgo editora, 2009
Colección: “Los sentidos”
Subcolección: “Artes visuales”
ISBN: 978-987-1556-12-0
226 pags.

publisher [English]
publisher [Spanish]

PDF [English] (updated on 2012-7-28)
PDF [Spanish] (updated on 2012-7-28)

Gerald Raunig, Gene Ray (eds): Art and Contemporary Critical Practice: Reinventing Institutional Critique (2009)

3 January 2010, dusan

“‘Institutional critique’ is best known through the critical practice that developed in the late 1960s and early 1970s by artists and activists who presented radical challenges to the museum and gallery system. Since then it has been pushed in new directions by new generations exploring this legacy and developing the models of institutional critique in ways that go well beyond the field of art. The contributors to the eipcp-project transform as well as to the book that assembles some of the most important theoretical contributions to the project interrogate the shifting relations between ‘institutions’ and ‘critique’ proposing new concepts as ‘monster institutions’, ‘instituent practices’ and ‘institutions of exodus’.”

With texts by Boris Buden, Rosalyn Deutsche, Marcelo Expósito, Marina Garcés, Brian Holmes, Jens Kastner, Maurizio Lazzarato, Isabell Lorey, Nina Möntmann, Stefan Nowotny, Gerald Raunig, Gene Ray, Raúl Sánchez Cedillo, Simon Sheikh, Hito Steyerl, Universidad Nómada, and Paolo Virno.

Publisher: mayfly, London; in conjunction with the European Institute for Progressive Cultural Policies
Creative Commons licence
ISBN 9781906948023
266 pages

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