Filed under catalogue | Tags: · 1980s, 1990s, 2000s, alternative culture, art history, culture, design, experimental film, fashion, london, music, performance, photography, post-punk, publishing
“A Journey Through London Subculture: 1980s to Now illustrates a perceived thread of creativity between the post-punk era and the present day.
Gilbert & George, John Maybury, House of Beauty & Culture, Tom Dixon, Jeffrey Hinton, Bodymap, St John, Alexander McQueen, Martino Gamper, Julie Verhoeven, Giles Deacon, Charlie Porter, Chisenhale Gallery, Lucky PDF, Vogue Fabrics Nightclub, Sibling, J W Anderson, Bethan Laura Wood, Matthew Darbyshire and Louise Gray are amongst the 60 figures from London’s scene involved in the project.”
Publisher Institute of Contemporary Arts, London, 2013
Adrian Favell: Before and After Superflat: A Short History of Japanese Contemporary Art, 1990-2011 (2012)
Filed under book | Tags: · 1990s, 2000s, art criticism, art history, contemporary art, japan, sociology of art, superflat
“Any discussion of Japanese contemporary art inevitably leads to the pop-culture fantasies of Takashi Murakami, Yoshitomo Nara and the other artists of the Superflat movement. But Japan as a whole has changed dramatically after stumbling through a series of economic, social and ecological crises since the collapse of its ‘bubble’ economy in the early 1990s. How did Murakami, Nara and Superflat become the dominant artistic vision of the Japan of today? What lies behind their imagery of a childish and decadent society unable to face up to reality? Written by a sociologist with an eye for sharp observation and clear reportage, Before and After Superflat offers the first comprehensive history in English of the Japanese art world from 1990 up to the tsunami of March 2011, and its struggle to find a voice amidst Japan’s economic decline and China’s economic ascent.”
Publisher Blue Kingfisher, Hong Kong, 2012
ISBN 9789881506412, 9881506417
Filed under book | Tags: · 1990s, 2000s, biography, communism, economy, history, intelligence agency, mass media, military, politics, russian, war
Handpicked in 1999 by the ‘Family’ surrounding an ailing and increasingly unpopular Boris Yeltsin, Vladimir Putin, with very little governmental or administrative experience beyond having served as deputy mayor of St Petersburg, seemed like the perfect choice in the eyes of an oligarchy bent on moulding the president’s successor to its own designs. Suddenly the boy who had scrapped his way through post-war Leningrad schoolyards, dreaming of ruling the world, was a public figure, and his popularity soared. Russia and an infatuated West were determined to see the progressive leader of their dreams, even as with ruthless efficiency Putin dismantled the country’s media, wrested control and wealth from the country’s burgeoning business class, and decimated the fragile mechanisms of democracy. Within a few brief years, virtually every obstacle to his unbridled control was removed and every opposing voice silenced, with political rivals and critics driven into exile or to the grave. As a journalist living in Moscow, Masha Gessen experienced this history firsthand, and for The Man Without a Face she has drawn on information and sources no other writer has tapped. Her horrifying and spellbinding account of how this ‘faceless’ man manoeuvred his way into absolute – and absolutely corrupt – power will stand as a classic of narrative non-fiction.
Publisher Riverhead Books, 2012
Video interview with the author (52 min, Sydney Writers Festival, May 2012)
Review (Luke Harding, The Guardian, 2012)
Review (Anne Applebaum, The New York Review of Books, 2012)
Review (John Ehrman, Studies in Intelligence, 2014)