Matteo Pasquinelli (ed.): Gli algoritmi del capitale. Accelerazionismo, macchine della conoscenza e autonomia del comune (2014) [Italian]
Filed under book | Tags: · accelerationism, algorithm, capitalism, philosophy, politics, theory
“L’immaginario politico e l’idea di futuro sembrano oggi cancellati dall’imperativo dell’austerity. Ma quale sarebbe il vero passaggio rivoluzionario, si chiedevano un tempo Deleuze e Guattari: ritirarsi dal mercato globale o, al contrario, andare ancora più lontano, “accelerare il processo”? L’economia è in crisi, ma la tecnologia continua a evolvere sotto i nostri occhi: i social network sono sempre più pervasivi, la logistica delle merci sempre più veloce e digitalizzata, servizi segreti e finanza usano algoritmi sempre più sofisticati per analizzare e prevedere i comportamenti di massa. E se l’impasse politica fosse legata all’incapacità di comprendere le nuove astrazioni del capitale e del lavoro, gli algoritmi che controllano le relazioni sociali tanto quanto il tempo collettivo congelato dalla finanza in futures e derivati? Un nuovo nomos tecnologico sembra prendere forma a livello planetario, dove i poteri tradizionali degli Stati nazione si intrecciano con le grandi corporation della rete. Un ex direttore della Cia lo ha riassunto in modo cinico ma efficace: “Uccidiamo persone sulla base dei metadati”. Rispondendo al recente Manifesto accelerazionista e rilanciando la tesi del capitalismo cognitivo, gli autori del presente libro sostengono che lo sviluppo tecnologico possa essere ridisegnato in senso rivoluzionario, che l’astrazione più estrema dell’intelligenza debba diventare arma politica e che il futuro sia da riconquistare come terreno visionario.”
Contributors: Alex Williams & Nick Srnicek, Antonio Negri, Franco “Bifo” Berardi, Matteo Pasquinelli, Nick Dyer-Witheford, Mercedes Bunz, Stefano Harney, Tiziana Terranova, Carlo Vercellone, and Christian Marazzi.
Publisher Ombrecorte, Verona, 2014
ISBN 9788897522829
187 pages
Reviews: Andrea Fumagalli (Il manifesto, 2014), Valerio Mattioli (Prismo, 2015), Elettra Stimilli (Alfabeta2, 2015).
Comment (0)Bojana Cvejić, Goran Sergej Pristaš (eds.): Parallel Slalom: A Lexicon of Non-aligned Poetics (2013)
Filed under book | Tags: · aesthetics, cinema, contemporary art, dance, east-central europe, non-aligned movement, performance, poetics, theatre, theory, yugoslavia
“What does it take to create one’s own concepts? What does it mean to own a concept? Parallel Slalom is an edited collection of essays that attempt to address these questions from the viewpoint of artistic and theoretical practices that have been developing since the 1960s, especially in the period after the breakup of Yugoslavia in 1991. Artists, dramaturges, theorists, editors, writers or ‘cultural workers’ who write or are written about in this volume don’t always belong to the same historical, geopolitical and cultural framework that the curator Ješa Denegri called, the ‘common Yugoslav cultural space’ also because a considerable number of writers come from contexts other than those in Eastern Europe. Yet they share a kind of thought that arises from within, or close to, artistic practice as a poetical instrument of looking past art into the production of political, social and aesthetic realms.”
“Among the concepts developed are: Americanism; artivisim; acting without publicizing; Chaplinism; cinema clubs; cinematic modes of action; contextual art; delay; delayed audience; digitality; East Dance Academy; generations; group sex; laziness; operation; politics of affection and uneasiness; proceduralism; protocol; radical amateurism; reconstruction, second-hand-knowledge; slideshow; temporary zones, shelters, and project spaces; tiger’s leap into history; unburdened, aesthetically; unlearned, terminally.”
Contributions by Ric Allsopp, Jonathan Beller, Ivana Bago, Bojana Cvejić, Isabel de Naveran, Tomislav Gotovac, Owen Hatherley, Ana Janevski, Janez Janša, Marko Kostanić, Bojana Kunst, Antonia Majača, Aldo Milohnić, Goran Sergej Pristaš, Mårten Spångberg, Mladen Stilinović, Miško Šuvaković, Terminally Unschooled, Terms study group, and Ana Vujanović.
Publisher Walking Theory ‒ TkH, Belgrade, and CDU – Centre for Drama Art, Zagreb, 2013
ISBN 8690589961, 9788690589968
411 pages
via Academia.edu
Publisher (TkH)
Publisher (CDU)
WorldCat
PDF (7 MB)
Comment (0)Vanja Malloy (ed.): Intersecting Colors: Josef Albers and His Contemporaries (2015)
Filed under catalogue | Tags: · art, art history, colour, theory
“Josef Albers (1888–1976) was an artist, teacher, and seminal thinker on the perception of color. A member of the Bauhaus who fled to the U.S. in 1933, his ideas about how the mind understands color influenced generations of students, inspired countless artists, and anticipated the findings of neuroscience in the latter half of the twentieth century.
With contributions from the disciplines of art history, the intellectual and cultural significance of Gestalt psychology, and neuroscience, Intersecting Colors offers a timely reappraisal of the immense impact of Albers’s thinking, writing, teaching, and art on generations of students. It shows the formative influence on his work of non-scientific approaches to color (notably the work of Johann Wolfgang von Goethe) and the emergence of Gestalt psychology in the first decades of the twentieth century. The work also shows how much of Albers’s approach to color—dismissed in its day by a scientific approach to the study and taxonomy of color driven chiefly by industrial and commercial interests—ultimately anticipated what neuroscience now reveals about how we perceive this most fundamental element of our visual experience.”
With contributions from Brenda Danilowitz, Sarah Lowengard, Karen Koehler, Jeffrey Saletnik, and Susan R. Barry.
Publisher Amherst College Press, Amherst, MA, Sep 2015
Creative Commons 4.0 CC-BY-NC-ND License
ISBN 781943208012 (Ebook), 9781943208005 (Print)
vi+99 pages