Carl Andre, Hollis Frampton: 12 Dialogues, 1962–1963 (1980)

Twelve conversations between the minimalist sculptor Carl Andre and his close friend, photographer-filmmaker Hollis Frampton, about sculpture, photography, painting, music, literature, poetry and film. The two generated the dialogues over the course of a year, from October 1962 to September 1963 mostly on evenings and weekends in Andre’s one-room apartment in Brooklyn. A number of the dialogues begin with a discussion of recently shared art encounters, proceeding to examine a wide range of topics, including the development of avant-garde aesthetics, the significance of Duchamp, the legacy of the New York School, the relevance of photography, etc.

Edited and annotated by Benjamin H.D. Buchloh
Publisher The Press of the Nova Scotia College of Art and Design and New York University Press, 1980
ISBN 0919616178, 9780919616172
134 pages
via x

WorldCat

PDF (first 93 of 134 pages, 24 MB)

L=A=N=G=U=A=G=E, 1–13 (1978–1981)

“L=A=N=G=U=A=G=E was an avant-garde poetry magazine edited by Charles Bernstein and Bruce Andrews that ran thirteen issues from 1978 to 1981. Along with This it is the magazine most often referenced as the breeding ground for the group of writers who became known as the Language poets.” (from Wikipedia)

GIF pages and PDFs (on Eclipse)
Index (on Eclipse)
The L=A=N=G=U=A=G=E Book (1983, added on 2022-1-11)

See also:
L=A=N=G=U=A=G=E Distributing Service, PDF catalog and commentary on Jacket2
The Poetics of L=A=N=G=U=A=G=E, a talk by Bruce Andrews, 2005, on UbuWeb
Andrews in EPC Digital Library
Bernstein in EPC Digital Library

Kenneth Goldsmith in Conversation (2014)

“What is uncreative writing? What can writing learn from visual art? How does one write through art and culture? What is language and how should one speak (of) it in this digital age? How have the current technological developments shaped the contemporary scene and sense of poetics, aesthetics, and poetry pedagogy? What is conceptual writing and its relation to the international avant-garde movement? And after all, what is poetry? These are some of the questions addressed by Kenneth Goldsmith in the interview with Francisco Roman Guevara. This discussion – candid and provocative – is a helpful introduction to the ideas of a most significant “writerly” voice in the contemporary space of literary and cultural studies.”

With Francisco Roman Guevara
Publisher De La Salle University Publishing House, Manila, 2014
Critics in Conversation series
ISBN 9789715555968
50 pages

Publisher

PDF