Roswitha Mueller: Bertolt Brecht and the Theory of Media (1989)

14 October 2013, dusan

Bertolt Brecht spent a career puncturing artistic illusion while casting a spell as an innovator that has continued since his death in 1956. Best known to theater goers for “The Threepenny Opera,” “Mother Courage and her Children,” “The Caucasian Chalk Circle” and other production, the great playwright was, in fact, a man of all media. He was interested in radio and the cinema as soon as they appeared in Europe and brought to them, as well as to the stage, a dramatic theory so radical and influential that it has come to be known by the adjective “Brechtian.”

Publisher University of Nebraska Press, Lincoln & London, 1989
Modern German Culture and Literature series
ISBN 0803231326, 9780803231320
149 pages

Reviews: Katie Trumpener, Susan Bennett (Theatre Research International).

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Jay David Bolter, Richard Grusin: Remediation: Understanding New Media (1999)

25 April 2011, dusan

Media critics remain captivated by the modernist myth of the new: they assume that digital technologies such as the World Wide Web, virtual reality, and computer graphics must divorce themselves from earlier media for a new set of aesthetic and cultural principles. In this richly illustrated study, Jay David Bolter and Richard Grusin offer a theory of mediation for our digital age that challenges this assumption. They argue that new visual media achieve their cultural significance precisely by paying homage to, rivaling, and refashioning such earlier media as perspective painting, photography, film, and television. They call this process of refashioning “remediation,” and they note that earlier media have also refashioned one another: photography remediated painting, film remediated stage production and photography, and television remediated film, vaudeville, and radio.

Publisher: MIT Press, 1999
ISBN: 0262024527, 9780262024525
295 pages

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PDF (CHM; updated on 2012-9-3)
PDF (low quality PDF; added on 2012-9-3)

Faye D. Ginsburg, Lila Abu-Lughod, Brian Larkin (eds.): Media Worlds: Anthropology on New Terrain (2002)

1 September 2009, dusan

This groundbreaking volume showcases the exciting work emerging from the ethnography of media, a burgeoning new area in anthropology that expands both social theory and ethnographic fieldwork to examine the way media–film, television, video–are used in societies around the globe, often in places that have been off the map of conventional media studies. The contributors, key figures in this new field, cover topics ranging from indigenous media projects around the world to the unexpected effects of state control of media to the local impact of film and television as they travel transnationally. Their essays, mostly new work produced for this volume, bring provocative new theoretical perspectives grounded in cross-cultural ethnographic realities to the study of media.

Publisher University of California Press, 2002
ISBN 0520224485, 9780520224483
413 pages

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