Caleb Kelly (ed.): Sound (2011)

“Sound is one of a series documenting major themes and ideas in contemporary art.

The ‘sonic turn’ in recent art reflects a wider cultural awareness that sight no longer dominates our perception or understanding of contemporary reality. The background buzz of myriad mechanically reproduced sounds increasingly mediates our lives. Tuning in to this incessant auditory stimulus some of our most influential artists have investigated the corporeal, cultural and political resonance.

In tandem with recent experimental music and technology, art has opened up to hitherto excluded dimensions of noise, silence and the act of listening. Artists working with sound have engaged in new forms of aesthetic encounter with the city and nature, the everyday and cultural otherness, technological effects and psychological states.

New perspectives on sound have generated a wave of scholarship in musicology, cultural studies and the social sciences. But the equally important rise of sound in the arts since 1960 has so far been sparsely documented. This volume is the first sourcebook to provide, through original critical writings and artists’ statements, a genealogy of sonic pathways into the arts; philosophical reflections on the meanings of noise and silence; dialogues between art and music; investigations of the role of listening and acoustic space; and a comprehensive survey of sound works by international artists from the avant-garde era to the present.”

Artists surveyed include Marina Abramović, Vito Acconci, Doug Aitken, Maryanne Amacher, Laurie Anderson, John Cage, Kim Cascone, Martin Creed, Paul DeMarinis, Bill Fontana, Kim Gordon, Dan Graham, Ryoji Ikeda, Mike Kelley, Christina Kubisch, Bernhard Leitner, Alvin Lucier, Len Lye, Christian Marclay, Max Neuhaus, Carsten Nicolai, Hermann Nitsch, Yoko Ono, Nam June Paik, Luigi Russolo, Karin Sander, Mieko Shiomi, Michael Snow and Bill Viola.

Writers include Ralph T. Coe, Christoph Cox, Suzanne Delehanty, William Furlong, Liam Gillick, Paul Hegarty, Branden W. Joseph, Douglas Kahn, Dan Lander, W.J.T. Mitchell, Michael Nyman, R. Murray Schafer, Michel Serres, David Toop and Paul Virilio.

Publisher Whitechapel Gallery, London, with MIT Press, Cambridge, MA, 2011
Documents of Contemporary Art series
ISBN 0854881875, 9780854881871
239 pages

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Stuart Sim: Manifesto for silence: confronting the politics and culture of noise (2007)

Silence has played a crucial role in human history in important areas of our existence such as religion and the arts. Yet we live in an increasingly noisy society in which silence is under perpetual assault from the 24/7 lifestyle. The business world cynically exploits noise as part of its marketing strategy; the military deploys noise as a weapon. Without question, noise is a political issue on a global scale.This book mounts a strong argument for silence, arguing that we need more rather than less of it in our lives. The alternative is an environment scarred even further by noise, so often the forgotten pollutant. Stuart Sim explores why silence matters, where it matters – in religion, health, the arts, thought – and why we’ll suffer if space is not made for it. The confrontation between the politics of noise and the politics of silence is an issue on which we cannot stay neutral. A defence of silence is a defence of our humanity, as well as of a beleaguered environment.Key Features:*An in-depth analysis of one of the main cultural conflicts of our time: noise versus silence. *Appeals across the reading spectrum, from the academic to the general reader. *Explores the critical role played by silence in cultural history and its continuing relevance to us now. *Provides a critique of the marketing strategies of the business world from a new perspective. *Puts the conflict between noise and silence in our world into sharp political focus. *Demonstrates why and where silence matters in our lives, and why we should seek to protect it.

Publisher    Edinburgh University Press, 2007
ISBN    0748625917, 9780748625918
Length    215 pages

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