David Joselit: Feedback: Television Against Democracy (2007)

American television embodies a paradox: it is a privately owned and operated public communications network that most citizens are unable to participate in except as passive specators. Television creates an image of community while preventing the formation of actual social ties because behind its simulated exchange of opinions lies a highly centralized corporate structure that is profoundly antidemocratic. In Feedback, David Joselit describes the privatized public sphere of television and recounts the tactics developed by artists and media activists in the 1960s and 1970s to break open its closed circuit.

The figures whose work Joselit examines—among them Nam June Paik, Dan Graham, Joan Jonas, Abbie Hoffman, Andy Warhol, and Melvin Van Peebles—staged political interventions within the space of television. Joselit identifies three kinds of such image-events: feedback, which can be both disabling noise and rational response—as when Abbie Hoffman hijacked television time for the Yippies with flamboyant stunts directed to the media; the image-virus, which proliferates parasitically, invading, transforming, and even blocking systems—as in Nam June Paik’s synthesized videotapes and installations; and the avatar, a quasi-fictional form of identity available to anyone, which can function as a political actor—as in Melvin Van Peebles’s invention of Sweet Sweetback, an African-American hero who appealed to a broad audience and influenced styles of Black Power activism. These strategies, writes Joselit, remain valuable today in a world where the overlapping information circuits of television and the Internet offer different opportunities for democratic participation.

In Feedback, Joselit analyzes such midcentury image-events using the procedures and categories of art history. The trope of figure/ground reversal, for instance, is used to assess acts of representation in a variety of media—including the medium of politics. In a televisual world, Joselit argues, where democracy is conducted through images, art history has the capacity to become a political science.

Publisher MIT Press, 2007
ISBN 0262101203, 9780262101202
210 pages

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Video For Change. A Guide For Advocacy And Activism (2005)

Pictures from Abu Ghraib showed the power of the amateur image to grab the world’s attention. The Asian tsunami, caught on camcorder, brought home the reality of what had happened more than any news report ever could. Around the world the increasing availability and affordability of technology has fuelled the world of social justice video activism. Film-making — at its best — has the power to change the way people think, and create real social change, and now the tools to do it are more accessible than ever before. This book shows how activists and human rights campaigners can harness the power of images and stories for their own purposes — it’s a step-by-step guide to the handicam revolution.

Written by leading video activists, and staff of the world-renowned human rights organization WITNESS, this practical handbook will appeal to experienced campaigners as well as aspiring video activists. It combines a comprehensive analysis of what’s going on in this growing global field with a how-to primer to doing it yourself.

Video for Change is packed with real-life stories from the fray, how-to guidance, and easy-to-use exercises. Clear and accessible, it provides a crash course in the basics of social justice video documentation and advocacy. The authors cover every aspect of filmmaking from technical guidance to strategic and ethical issues, making it indispensable for both amateur and professional filmmakers.

Readers are shown how to plan, film, edit and distribute; they are shown how to adopt an effective strategy so that their video makes a difference. The book is unique in that it also covers the practical ethics and responsibilities of social justice video-work and offers a global range of real-life stories to learn from.

Edited by Sam Gregory, Gillian Caldwell, Ronit Avni, Thomas Harding
Preface by Peter Gabriel
Published by Pluto Press, 2005
ISBN: 9780745324128
344 pages

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Thomas Harding: The Video Activist Handbook, 2nd ed. (1998/2001)

This second edition of the highly popular The Video Activist Handbook includes numerous examples of contemporary video activism from around the world. The first book to provide the basic skills and know-how required for beginning video activism, it also offers a wealth of ideas on video strategies to those with some prior experience. Whether you are involved in campaigning, non-violent direct action, or simply want to know how to make use of video as a political tool, this book is for you. • Covers the key topics in a step-by-step guide – from choosing and using the right equipment and planning when and where to shoot, to supplying to TV, making a campaign video and legal considerations • Combines clearly written and illustrated practical advice, backed up by a wealth of resources, with first-hand examples of successful video activism • Critically assesses the mainstream media agendas and offers a lively survey of the international video activist scene.

Foreword by Anita Roddick
Publisher Pluto Press, 2001
ISBN 0745317707, 9780745317700
Length 255 pages

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