Anthony Enns, Shelley Trower (eds.): Vibratory Modernism (2013)
Filed under book | Tags: · art, avant-garde, dada, modernism, occultism, performance, photography, sound, theatre, vorticism
“Vibratory Modernism is a collection of original essays that will enable scholars and students to explore how vibrations provided a means of bridging science and art – two fields that became increasingly separate over the course of the nineteenth and early twentieth centuries. The book demonstrates the vital role played by vibrations in the fields of physics, physiology, spiritualism, and by new vibratory technologies, in helping to shape the way modernist art was made and viewed. The chapters are placed into three connecting parts focusing on literature, the visual arts and theatre, each part highlighting the diverse ways in which writers, artists and performers engaged with the fascinating world of vibrations.”
Publisher Palgrave Macmillan
ISBN 1137027258, 9781137027252
288 pages
Arndt Niebisch: Media Parasites in the Early Avant-Garde: On the Abuse of Technology and Communication (2012)
Filed under book | Tags: · art history, avant-garde, dada, futurism, mass media, media ecology, networks, noise, parasite, performance, poetry, radio, sound, subversion, technology
“The avant-garde movements of the early twentieth century inhabited the media discourses of their time like parasites, constantly irritating and taking from them. Dadaists ripped images of a mechanically reproduced world out of newspapers and magazines and reassembled them in their collages. Futurists instrumentalized the brevity of telegraph messages for their free word poetics. Artists such as F.T. Marinetti, Raoul Hausmann and Luigi Russolo constantly abused existing media technologies and hijacked public communication. This study traces these subversive tactics from avant-garde poetry to media technological experiments with radio tubes.”
Publisher Palgrave Macmillan, 2012
Avant-Gardes in Performance series
ISBN 1137276851, 9781137276858
250 pages
PDF, PDF (updated on 2016-3-15)
Comments (3)Alice Goldfarb Marquis: Marcel Duchamp: The Bachelor Stripped Bare (2002)
Filed under book | Tags: · art, art history, avant-garde, biography
“One of the most influential artists of the 20th century, Duchamp, the son of a successful notary, was also a shrewd manager of his image and interests — so much so that many of those who have written about him have been dazzled by his self-created persona when trying to assess his elusive legacy and equally elusive character. Marcel Duchamp: The Bachelor Stripped Bare is not the first full-length biography of Duchamp, but it is the first to present him in all his human contradictions and to take a refreshingly objective look at his real contribution to modern art. The well-known facts are beautifully explored here: Duchamp’s myriad personal relations (with family, lovers, collectors, and artists ranging from Man Ray, Picabia, and Breton to the Stettheimer sisters and the Arensbergs); the creation of major works such as the readymades and the Large Glass; his passion for chess and presumed abandonment of painting. But beyond this, author Alice Goldfarb Marquis looks past the diffident, humorous mask that Duchamp wore with friend and acquaintance alike, to explore the passions and insecurities that motivated many of his artistic and personal evolutions. She separates the artist from the con artist, to determine just how profound an influence Duchamp has really been. The books is based on numerous unpublished sources and first-hand interviews.”
Publisher MFA Publications, Boston, 2002
ISBN 0878466444, 9780878466443
368 pages
via agitprop
PDF (65 MB, updated on 2016-6-6)
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