Edmund Carpenter, Marshall McLuhan (eds.): Explorations in Communication: An Anthology (1960–) [EN, ES]
Filed under book | Tags: · communication, communication technology, language, mass media, media, media theory, print, technology, television

“This book explores the form and dynamics of communication to discover how it works – how human beings exchange feelings, facts, fancy. What makes words, sentences and grammars meaningful? What is the difference between the private world of reading and the instant “togetherness” of television audiences? How does the inner structure of communication vary from society to society?
These essays by world-famed scholars and artists cover the whole range of communications media — from skin touch to voice inflection, from newsprint to electronic devices, from primitive grammars to films. Here we step outside the various media by examining one through another. Print is seen from the perspective of electronics; television is analyzed through print — and thus literacy’s role in shaping man is brought into sharp new focus.
The contemporary revolution in the packaging and distribution of ideas and feelings makes a new view of communication imperative. To give voice to such views, the journal Explorations was begun in Toronto in 1953, financed by the Ford Foundation and the Toronto Telegram. From the start, the magazine won high praise from the academic world. The articles in this book, all of which appeared in Explorations, represent some of the most original research now in print on problems that will confront us for many years to come.” (from front flap)
With contributions by Ray L. Birdwhistell, Edmund Carpenter, H. J. Chaytor, Lawrence K. Frank, Northrop Frye, Arthur Gibson, Sigfried Giedion, Stephen Gilman, Robert Graves, Stanley Edgar Hyman, Dorothy Lee, Fernand Léger, Marshall McLuhan, David Riesman, W. R. Rodgers, Gilbert Seldes, Jean Shepherd, Daisetz T. Suzuki, Jacqueline Tyrwhitt.
Publisher Beacon Press, Boston, 1960
Issue 218 of Beacon series in Contemporary Communications
210 pages
via Archive.org
Explorations in Communication: An Anthology (hi-res, 181 MB, no OCR), Lower-res version (67 MB, OCR, via Steve McLaughlin), Other formats
El aula sin muros investigaciones sobre técnicas de comunicación (Spanish, trans. Luis Carandell, 2nd ed., 1968/1974, added on 2014-3-6)
Colin MacCabe: Godard: Images, Sounds, Politics (1980)
Filed under book | Tags: · cinema, film, film theory, maoism, montage, photography, politics, sexuality, technology, television

Godard: Images, Sounds, Politics is an important step in making Godard’s experiments in image and sound beyond the institutions of cinema and television visible. It reads the earlier films through the more recent work, focusing on politics, technology and sexuality. These insistent themes dominate Godard’s investigation of our representation in the image, a representation always inflected by sound. These terms enable us to understand more critical the circulation of money and images in which we participate, a circulation which Godard’s work cuts across.” (from the back cover)
Includes essays by Colin MacCabe, Laura Mulvey, and Mick Eaton. Also features interviews with Godard, a filmography, and a selected bibliography. Printed in black-and-white.
With Mick Eaton and Laura Mulvey
Design Richard Hollis
Publisher The Macmillan Press, London and Basingstoke, 1980
British Film Institute Cinema series
ISBN 0333290739, 9780333290736
175 pages
review of the book’s design (Eye Magazine)
Comment (0)Journal of Sonic Studies, Vol. 3: Rethinking Theories of Television Sound (2012)
Filed under journal | Tags: · acoustics, cinema, film, music, sound, television, voice

“The essays collected in this special issue of the Journal of Sonic Studies are intended to rethink the existing theories of television sound by offering a reexamination of some of the most persistent accounts of television sound from the 1980s to the present. These essays examine the technological and aesthetic changes that have accompanied the rise of new technologies, production practices, and listening perspectives over the past few decades, and they draw on a wide range of genres and categories of television sound, including commentary, voice-over, sound effects, and music soundtracks.” (from the Editorial)
Edited by Carolyn Birdsall, Anthony Enns
Publisher Leiden University Press
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