Gerald Emanuel Stearn (ed.): McLuhan: Hot & Cool: A Primer for the Understanding of & a Critical Symposium with a Rebuttal by McLuhan (1967)

“A brilliant amalgam of articles, discussions, essays and interviews with and about the Pop Oracle himself, The Complete McLuhan: the most controversial thinker of the electronic age.” (from the back cover)

With essays by Howard Luck Gossage, Tom Wolfe, John Culkin, SJ., Dean Walker, Kenneth E. Boulding, George P. Elliott, Rudolph E. Morris, Walter Ong, SJ., Ammunition (C.I.O.), William Blissett, Harley Parker, Robert Shafer, John Freund, Patrick D. Hazard, Dell Hymes, Frank Kermode, A. Alvarez, Dan M. Davin, Raymond Williams, Harold Rosenberg, Dwight Macdonald, Christopher Ricks, Jack Behar, Ben Lieberman, John M. Johansen, George Steiner, Jonathan Miller, Andrew Forge, Benjamin DeMott, Susan Sontag; responses by Marshall McLuhan; and an interview by Gerald E. Stearn with McLuhan.

Publisher The Dial Press, New York, 1967
Signet Non-Fiction series, Q3739
312 pages

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Brian Massumi (ed.): A Shock to Thought: Expression After Deleuze and Guattari (2002)

A Shock to Thought brings together essays that explore Deleuze and Guattari’s philosophy of expression in a number of contemporary contexts. It will be of interest to all those in philosophy, cultural studies and art theory. The volume also contains an interview with Guattari which clearly restates the ‘aesthetic paradigm’ that organizes both his and Deleuze’s work.

With contributions by Melissa McMahon, Steven Shaviro, Stephen Zagala, Gary Genosko, Alan Bourassa, Michael Hardt, Catherine Dale, Paul Brains, Jose Gil, Mani Haghighi, Thomas Lamarre, Aden Evens, Andrew Murphie, Bracha Lichtenberg Ettinger

Publisher Routledge, 2002
ISBN 041523803X, 9780415238038
256 pages

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Marshall McLuhan, Eric McLuhan: Laws of Media: The New Science (1988)

Marshall McLuhan has been described as Canada’s most exciting and original thinker, a member of the small company of intellectual geniuses this country has produced. Works such as The Gutenberg Galaxy, The Mechanical Bride, From Cliche to Archetype, and Understanding Media have established his reputation throughout the world and have profoundly influenced our understanding of contemporary communication. In his later years McLuhan was working on a ‘unified field’ theory of human culture, an effort in which he collaborated with and was assisted by his son, Eric McLuhan. This book is the result of that collaboration.

The McLuhans are retrieving another way of understanding our world, a way known to some ancient Greeks (but not Aristotle), to medieval thinkers, to Francis Bacon and Giambattista Vico, and to T.S. Eliot and James Joyce in this century. It is based on the use of words and the conseuqent power of the ‘logos’ to shape all the elements of culture – media – with which we surround ourselves.

The authors explain how the invention of the alphabet led to the dominance of visual-space conceptualizations over those of acoustic space and its creative words (and word-plays). They consider the differences between the left- and right-hand sides of our brains, and use Gestalt theories of figure and ground to explore the underlying principles that define media.

‘Media,’ the word so closely connected with Marshall McLuhan’s thought, is here explored in its broadest meaning, encompassing all that has been created by humans: artefacts, information, ideas – every example of human innovation, from computer program to a tea cup, from musical arrangement to the formula for a cold remedy, from an X-ray machine to the sentence you’re reading right now. All these are media to whcih can be applied the laws the McLuhans have developed.

The laws are based on a set of four questions – a tetrad – that can be applied to any artefact or idea:
What does it enhance or intensify?
What does it render obsolete or displace?
What does it retrieve that was previoulsy obsolesced?
What does it produce or become when pressed to an extreme?

Inherent in every human innovation is an answer to each of the questions of this tetrad; anything that does not contain answers to these four questions is not the product of human creation.

The laws identified by the McLuhans consitute a new scientific basis for media studies, testable, and able to allow for prediction. It takes in all human activities and speech; it breaks down barriers and reconsiders them as mere intervals. In the McLuhan tradition, this New Science offers a while new understanding of human creation, and a vision that could reshape our future.

Publisher University of Toronto Press, 1988
ISBN 0802057829, 9780802057822
252 pages

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