Naomi Klein: This Changes Everything: Capitalism vs. The Climate (2014)

In This Changes Everything Naomi Klein argues that climate change isn’t just another issue to be neatly filed between taxes and health care. It’s an alarm that calls us to fix an economic system that is already failing us in many ways. Klein meticulously builds the case for how massively reducing our greenhouse emissions is our best chance to simultaneously reduce gaping inequalities, re-imagine our broken democracies, and rebuild our gutted local economies. She exposes the ideological desperation of the climate-change deniers, the messianic delusions of the would-be geoengineers, and the tragic defeatism of too many mainstream green initiatives. And she demonstrates precisely why the market has not—and cannot—fix the climate crisis but will instead make things worse, with ever more extreme and ecologically damaging extraction methods, accompanied by rampant disaster capitalism.

Klein argues that the changes to our relationship with nature and one another that are required to respond to the climate crisis humanely should not be viewed as grim penance, but rather as a kind of gift—a catalyst to transform broken economic and cultural priorities and to heal long-festering historical wounds. And she documents the inspiring movements that have already begun this process: communities that are not just refusing to be sites of further fossil fuel extraction but are building the next, regeneration-based economies right now.

Publisher Simon & Schuster, 2014
ISBN 1451697384, 9781451697384
576 pages

Reviews: David L. Ulin (Los Angeles Times, 2014), Sandra Steingraber (EcoWatch, 2014).

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EPUB (updated on 2021-8-13)
PDF (updated on 2021-8-13)

Émile Zola: Germinal (1885) [FR, EN, DE]

Germinal is the thirteenth novel in Émile Zola’s twenty-volume series Les Rougon-Macquart. Often considered Zola’s masterpiece and one of the most significant novels in the French tradition, the novel – an uncompromisingly harsh and realistic story of a coalminers’ strike in northern France in the 1860s – has been published and translated in over one hundred countries as well as inspiring five film adaptations and two television productions.

The title refers to the name of a month of the French Republican Calendar, a spring month. Germen is a Latin word which means “seed”; the novel describes the hope for a better future that seeds amongst the miners.

commentary (Ruth Scurr, The Guardian, 2010)

wikipedia

PDF (French, published by G. Charpentier, 1885)
PDF (French, published by G. Charpentier, 1900, Vol. 1)
PDF (French, 1900, Vol. 2)
PDF (English, translated by Carlynne, published by Belford, Clarke, Chicago/New York, 1885)
PDF (English, translated by Havelock Ellis, 1894)
PDF (EPUB, German)

YoHa: Coal Fired Computers (300,000,000 Computers – 318,000 Black Lungs) (2010)

A one-hundred year old, 35-ton showman’s steam engine powers a computer with 1.5 tons of coal. Black lungs inflate every time a database record of miners’ lung disease is shown on the computer monitors. It feels like you’ve been invited into a fun fair, but one where the rides log their own accidents – a fun fair run by people who long ago became indistinct from the machines they maintain.

Over three days at the Discovery Museum, with groups of miner activists, Coal Fired Computers articulates relations between Power, Art and Media. A new work by leading UK media artists Harwood and Yokokoji (YoHa), in collaboration with Jean Demars, it responds to the displacement of coal production to distant lands like India and China after the UK miners’ strike in 1984/85.

Coal Fired Computers reflects on the complexities of our global fossil fuel reliance and especially on how coal transforms our health as we have transformed it. Today coal produces 42% of the world’s electricity, and in many countries this rate is much higher (more than 70% in India and China). This power is produced by descendants of Charles Parson’s 1884 steam turbines, also on display in the Discovery Museum.

It could be said that coal dust gets into everything. Sealed into the lungs of miners it forms visible blue streaks, like veins of coal. According to the World Health Organisation, 318,000 deaths occur annually from chronic bronchitis and emphysema caused by exposure to coal dust. The common perception is that wealthy countries have put this all behind them, displacing coal dust into the lungs of unrecorded, unknown miners in distant lands, however coal returns into our lives in the form of the cheap and apparently clean goods we consume.

Coal fired energy not only powers our computers here in the UK, but is integral to the production of the 300,000,000 computers made each year. 81% of the energy used in a computer’s life cycle is expended in the manufacturing process, now taking place in countries with high levels of coal consumption. The UK currently produces less that one third of the coal it uses, importing the majority of it and therefore displacing 150,000 tons of coal dust into unknown lungs.

Coal Fired Computers brings together these disparate elements into an artwork, allowing us to reflect on the complexities that have created and maintained power, the crisis of fuelling that power and its subsequent health residues.

Authors: Graham Harwood and Matsuko Yokokoji
Commissioned by AV Festival 2010
Produced in partnership with Discovery Museum.

project page

PDF (updated on 2013-2-6)