The Potosí Principle: How Can We Sing the Song of the Lord in an Alien Land? Colonial Image Production in the Global Economy (2010) [English/Spanish]
Filed under book, catalogue | Tags: · art history, colonialism, history, image, mining, painting
“Potosí is a Bolivian mining town, whose splendor even eclipsed that of London or Paris in the sixteenth century. The silver extracted there by forced laborers was instrumental in fuelling the development of early European capitalism. The dynamics of this economic colonialism spawned the production of images on a mass scale, not only in Spain, but also in the vice-royalty itself. The works of the “Andean Baroque” unveiled in The Potosí Principle attest to the fact that cultural hegemony is not a symbolic concept, but is, in fact, rooted in violence.
Contemporary artists have responded to these Baroque paintings by fashioning works of their own. The objective of this dialogue is to demonstrate the correlation between the function served by colonial painting and the function now assumed by the modern system of art in conferring legitimacy upon globalization’s new elites.”
With texts by Sonia Abián, Anna Artaker, Bartolomé Arzáns Orsúa y Vela, John Barker, Matthijs de Brujine, Thomas Campbell, Roberto Choque Canqui, Chto delat, Alice Creischer, Anthony Davies, Elvira Espejo, Marcelo Expósito, Harun Farocki, León Ferrari, Tom Flynn, Maria Galindo, Isaías Griñolo, Max Jorge Hinderer, Karl Marx School of the English Language, Peter Linebaugh, Gabriela Massuh, Eduardo Molinari, Fátima Olivarez, Plata de Refléxion sobre Politicas Culturales, Felipe Guaman Poma de Ayala, David Riff, Jorge Sanjinés, Andreas Siekmann, Luis Víctor Alemán Vargas, and Dmitry Vorobyev.
Edited by Alice Creischer, Max Jorge Hinderer, and Andreas Siekmann
Publisher Verlag der Buchhandlung Walther König, Cologne, 2010
ISBN 9783865609267, 3865609260
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Filed under book | Tags: · activism, agriculture, capitalism, climate, climate change, coal, economy, energy, gas, geoengineering, global warming, market, mining, oil, weather
In This Changes Everything Naomi Klein argues that climate change isn’t just another issue to be neatly filed between taxes and health care. It’s an alarm that calls us to fix an economic system that is already failing us in many ways. Klein meticulously builds the case for how massively reducing our greenhouse emissions is our best chance to simultaneously reduce gaping inequalities, re-imagine our broken democracies, and rebuild our gutted local economies. She exposes the ideological desperation of the climate-change deniers, the messianic delusions of the would-be geoengineers, and the tragic defeatism of too many mainstream green initiatives. And she demonstrates precisely why the market has not—and cannot—fix the climate crisis but will instead make things worse, with ever more extreme and ecologically damaging extraction methods, accompanied by rampant disaster capitalism.
Klein argues that the changes to our relationship with nature and one another that are required to respond to the climate crisis humanely should not be viewed as grim penance, but rather as a kind of gift—a catalyst to transform broken economic and cultural priorities and to heal long-festering historical wounds. And she documents the inspiring movements that have already begun this process: communities that are not just refusing to be sites of further fossil fuel extraction but are building the next, regeneration-based economies right now.
Publisher Simon & Schuster, 2014
ISBN 1451697384, 9781451697384
Filed under brochure | Tags: · art, environment, installation art, metallurgy, mineralogy, mining, plants
While “green mining” aims for a more ecological approach to mining metals, The Iron Ring explores how contaminated mining grounds may benefit from the mining of metals. For this work, 24kg of iron-tainted grass was removed from contaminated mining grounds and transformed into a ring of 2g metallic iron.
The project elaborates on the possibilities to utilize the cleansing process of the naturalized, wild growing grass: Imperata cylindrica. An invasive vile weed, which overlooked tolerance and ability to hyper accumulate iron inside its roots, stems and leaves are left unutilized. The Iron Ring proposes to harvest the grass for the purpose of extracting the ore that is inside them. The result is a scenario for iron mining that, instead of furthering destruction, could actually contribute to the environmental rehabilitation of abandoned metal mines.
The Iron Ring came about through trials and failures, in a process of close collaboration with smiths, scientists, technicians and farmers met along the way.
This e-book consists of two parts. The first is a visual essay by Cecilia Jonsson that reports on the seven chronological steps that were required to create an iron ring out of 24kg of grass harvested from the acidic river banks of a landscape in Spain severely transformed by opencast mining. In the second part, professor James Jackson Griffith, who participated in Jonsson’s preliminary research on mining restoration in Brazil, discusses The Iron Ring from an environmental-philosophical perspective.
Publisher V2_, Rotterdam, 2014
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