Tomáš Pospiszyl, Eric Rosenzveig (eds.): CAS: What is it? (2013) [English/Czech]

Publication documents the activities of the Center for Audio Visual Studies (CAS) at FAMU in Prague, founded in 2005. Featuring 30 works by the CAS students and alumni as well as texts by the teachers Helena Bendová, Martin Blažíček, Miroslav Petříček, Tomáš Pospiszyl, Eric Rosenzveig and Miloš Vojtěchovský

Publikace CAS: Co to je? není výstavním katalogem ani sborníkem z odborné konference. Pohybuje se někde mezi, podobně jako je mezioborové studium v Centru audiovizuálních studií FAMU. Jádrem publikace jsou dokumentace různorodých projektů dnes už třicítky studentů či absolventů CAS, ale i práce jejich učitelů. Do knihy například přispěl filozof Miroslav Petříček, ale je tu i dystopická sci-fi povídka. Najdeme tu analýzu studentských filmů od filmové historičky Heleny Bendové, ale i dokumentace a anotace samotných děl. Ty se pohybují na široké škále od dokumentárních filmů, interaktivních instalací, on-line projektů, živých performancí po street artové intervence do veřejného prostoru. Z pedagogů CAS do knihy dále přispěli Martin Blažíček, Tomáš Pospiszyl, Eric Rosenzveig a Miloš Vojtěchovský.

Publisher Academy of Performing Arts in Prague, 2013
ISBN 9788073312657
332 pages

book launch (Prague, 16 April 2013)
publisher

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Harun Farocki, Hito Steyerl: A Magical Imitation of Reality (2011)

A conversation on film.

Kaleidoscope’s Cahiers are a series of essays and conversations taking the form of e-books which seek to unfold the potential of critique.

Edited by Joanna Fiduccia
Publisher Kaleidoscope Press, February 2011
Cahiers series, Vol 2
30 pages

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Laurence A. Rickels: Ulrike Ottinger: The Autobiography of Art Cinema (2008)

Since 1974, German filmmaker Ulrike Ottinger has created a substantial body of films that explore a world of difference defined by the tension and transfer between settled and nomadic ways of life. In many of her films, including Exile Shanghai, an experimental documentary about the Jews of Shanghai, and Joan of Arc of Mongolia, in which passengers on the Trans-Siberian Express are abducted by Mongolian bandits, she also probes the encounter with the other, whether exotic or simply unpredictable.

In Ulrike Ottinger Laurence A. Rickels offers a series of sensitive and original analyses of Ottinger’s films, as well as her more recent photographic artworks, situated within a dazzling thought experiment centered on the history of art cinema through the turn of the twenty-first century. In addition to commemorating the death of a once-vital art form, this book also affirms Ottinger’s defiantly optimistic turn toward the documentary film as a means of mediating present clashes between tradition and modernity, between the local and the global.

Widely regarded as a singular and provocative talent, Ottinger’s conspicuous absence from critical discourse is, for Rickels, symptomatic of the art cinema’s demise. Incorporating interviews he conducted with Ottinger and illustrated with stunning examples from her photographic oeuvre, this book takes up the challenges posed by Ottinger’s filmography to interrogate, ultimately, the very practice—and possibility—of art cinema today.

Publisher University of Minnesota Press, 2008
ISBN 0816653305, 9780816653300
288 pages

publisher
google books

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