Joshua Shannon: The Recording Machine: Art and Fact during the Cold War (2017)

“A revealing look at the irrevocable change in art during the 1960s and its relationship to the modern culture of fact.

This book offers a new understanding of the transformation of photography and the visual arts around 1968. Author Joshua Shannon reveals an oddly stringent realism in the period, tracing artists’ rejection of essential truths in favor of surface appearances. Dubbing this tendency factualism, Shannon illuminates not only the Cold War’s preoccupation with data but also the rise of a pervasive culture of fact.

Focusing on the United States and West Germany, where photodocumentary traditions intersected with 1960s politics, Shannon investigates a broad variety of art, ranging from conceptual photography and earthworks to photorealist painting and abstraction. He looks closely at art by Bernd and Hilla Becher, Robert Bechtle, Vija Celmins, Douglas Huebler, Gerhard Richter, and others. These artists explored fact’s role as a modern paradigm for talking, thinking, and knowing. Their art, Shannon concludes, helps to explain both the ambivalent anti-humanism of today’s avant-garde art and our own culture of fact.”

Publisher Yale University Press, New Haven, CT, 2017
ISBN 9780300187274, 0300187270
ix+230 pages

Review: Ina Blom (The Sixties, 2018).

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WorldCat

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Isabelle Stengers: The Invention of Modern Science (1993–) [EN, PT]

The so-called exact sciences have always claimed to be different from other forms of knowledge. How are we to evaluate this assertion? Should we try to identify the criteria that seem to justify it? Or, following the new model of the social study of the sciences, should we view it as a simple belief? The Invention of Modern Science proposes a fruitful way of going beyond these apparently irreconcilable positions, that science is either “objective” or “socially constructed.” Instead, suggests Isabelle Stengers, one of the most important and influential philosophers of science in Europe, we might understand the tension between scientific objectivity and belief as a necessary part of science, central to the practices invented and reinvented by scientists.

First published in French as L’Invention des sciences modernes, La Découverte, Paris, 1993.

English edition
Translated by Daniel W. Smith
Publisher University of Minnesota Press, 2000
Theory Out of Bounds series, 19
ISBN 0816630569, 9780816630561
185 pages

Review (Robert Evans, Contemporary Sociology, 2002)
Commentary (Stephen Shaviro, 2004)

Publisher (EN)
Google books (EN)

The Invention of Modern Science (English, trans. Daniel W. Smith, 2000)
A invenção das ciências modernas (Portuguese, trans. Max Altman, 2002)