Plague Time Television, 5 eps. (2020)

“An online public service television styled project temporarily set up by Brighton, UK based sound and visual artists Dylan Nyoukis and Karen Constance, as a way of replacing their annual Colour Out Of Space festival during the current pandemic.”

Interview with creators: Edwin Pouncey (The Wire, 2020).

Creators

Episode One
Neil Campbell & Sticker Foster & Richard Youngs + DDAA + Rick Potts + Moniek Darge + Charlie Drahiem + Natalia Beylis + Teignmouth Electron + Usurper + Sophie Cooper & Jake Blanchard + Glands of External Secretion + Ian Murphy + Plastic Hooligans + Lief Elggren + Fritz Welch + Tom & Milly Roberts + More.
Video (123 min, May 2020, YouTube)

Episode Two
Bruce Russell, Ludo Mich, Kuupuu, BBBlood, Renato Grieco, Floris van Hoof, The Dan, Rakel & Klara Fröberg Experience, Jonnie Prey, Hannah Ellul, Luke Poot, Jérôme Noetinger & Liz Racz, Wol, Core of the Coalman/Kneeling Coats, DJ Foreign Extra featuring Adam Bohman, All Ords, Dylan Nyoukis, Food People & Adam Butcher, Fielding Hope & Silja Strøm, Manny Pads, Chie Mukai, {AN} EeL, Ash Reid, Nicolas Nicholas Langley, Lucian Tielens, Blue Spectrum, Marja-leena Sillanpää and Maths Balance Volumes.
Video (147 min, May 2020, YouTube)

Episode Three
Forrest Friends, Ezio Piermattei & Chiara Fiori, Embla Quickbeam, Liz Albee, The Piss Superstition, Yoni SIlver, Sigtryggur Berg Sigmarsson, Dog Lady, Shane Mcdonell, I’D M Theftable, Bob Desaulniers, The Nevari Butchers, Sami Pekkola, Posset, F.Ampism, Bren’t Lewiis ensemble, Anla Courtis, The Bohman Brothers, Andie Brown, Slohhh Listener, Roy Claire Potter & Kieron Piercy, Reijo Pami and Porest.
Video (155 min, May 2020, YouTube)

Episode Four
Amon Dude, Evil Moisture, Doreen Kutzke, Cloth, Aqua Dentata, Chick White, Lala Lu & Skull Mask, Witcyst, Ute Wassermann, Steve Beresford & Blanca Regina. Peter Fengler, Gussett Giblett, Feghoots, Alex Drool. Stewart Greenwood, This is Yvonne Lovejoy, Gen Ken Montgomery, Muyasser Kurdi, Mitchell Brown, Papal Bull, Sharkiface, Licker, Michael Zuclicki. Alice Kemp, Brandstifter, Herb Diamante.
Video (138 min, June 2020, YouTube)

Episode Five
Beyt Al Tapes, Hearty White, LDSN, Elaine Mitchener, Mutant Beatnicks, Blood Stereo, Ecka Mordecai, Dora Doll, Iain Paxon & Ida, Grohs, Sippy Cup, Willie Stewart, Vlubä, The Bim Prongs, Plastic Containers of Nothing, Olivia Furey, Barry Esson, Odie Ji Ghast, Ed Shipsey, Modern Medicine, Khnaisser/Khnaisser/Robertson/Robertson/Sturm, Loner Club, Christian Butler-Zanetti, Michael Kemp, Sandy Milroy, Scott-Buccleuch/Sigmarsson/Sharpley, Chlorine, Dave Miko, Bleep Shapes, The Teleporters, Allanah Stewart, Zven Baslev, Cody Brant & Frances Young.
Video (190 min, July 2020, YouTube)

Stefan Szczelkun: Improvisation Rites: from John Cage’s Song Books to The Scratch Orchestra’s Nature Study Notes (2018)

“Documentation of an inter-generational exploration of two seminal improvisation scores of the mid-20th century leading to four large ensemble performances.”

Includes photo and/or text contributions (not including quoted ‘rites’ or ‘songs’) from Ali Warner, Portia Winters, John Tilbury, Jane Alden, Ben Harper, Carolyn, Phil England, Michael Parsons, Bron Jones, Hugh Shrapnel, George Chambers, Penny Homer, Geraldine McEwan, Emmanuelle Waeckerle, Matt Scott, Robert Barry, Carol Finer, Martin Dixon, Deirdre McGale, Stathis Mamalakis, John Hails, Charles Hutchins, Petri Hurinainen, Richard Duckworth, Robbie Lockwood, Howard Slater, Alexandra Dami, and Achilleas Karagiannidis.

Publisher Routine Art Co, London, 2018
ISBN 9781870736961, 1870736966
167 pages

Reviews: Julian Cowley (The Wire, 2018), Michael Kemp (2018).

Author
WorldCat

PDF (9 MB)
Internet Archive

John Cage: How To Get Started (2010)

“John Cage’s first and only performance of How to Get Started on 31 Aug 1989 was conceived of almost as an afterthought–a performance substituting for another that had been previously planned. In his performance, delivered at a sound design conference in Nicasio, California, Cage talks about the difficulty of initiating the creative process, and about improvisation, a subject about which he had long been deeply ambivalent. He proposes a collaborative framework in which sound engineers capture and subsequently layer his extemporized monologue, which consisted of ten brief commentaries on topics then of interest. This amounted to an experiment having to do with thinking in public before a live audience.”

The publication also features commentaries by Laura Kuhn, Aaron Levy and Arthur J. Sabatini.

Publisher Slought Books, Philadelphia, and John Cage Trust, 2010
Open access
ISBN 0981540961, 9780981540962
19 pages

Publisher
WorldCat

PDF, PDF