Stephen Harper: Beyond the Left: The Communist Critique of the Media (2012)

Attacking the cherished assumptions of liberal media criticism, Beyond the Left updates and recharges the Marxist critique of the media.

The ideological distortions of the conservative media, from Fox News to the Daily Mail, are widely acknowledged and often denounced among contemporary critics and commentators. But what if The Guardian newspaper and BBC news, in fact, constitute the most insidious forms of capitalist propaganda? In a wide-ranging and erudite polemic, Beyond the Left analyses capitalist news and current affairs media from a radical perspective. The book rejects the liberal and pluralist paradigms that often underpin critiques of the media, showing how media texts reflect and reinforce the material interests of the ruling class and arguing that the principal ideological menace today is posed not by the right wing, but by the left-liberal media, as it co-opts and obscures radical political positions and reinforces a range of mystifications, from anti-fascism and humanitarian war to green politics. Drawing on the work of radical media critics as well as the writings of revolutionary communist groups and considering the recent reporting of war, industrial action, immigration and the environment, Beyond the Left updates and recharges the Marxist critique of the media.

Publisher Zero Books, an imprint of John Hunt Publishing, 2012
ISBN 1846949769, 9781846949760
114 pages

review (Laura Cooke, Socialist Review)

publisher
google books

PDF

Deciphering User-Generated Content in Transitional Societies: A Syria Coverage Case Study (2012)

“Social media and user-generated content played an important role in coverage of the revolutions in Egypt, Tunisia and Libya; however, content from the public was supplementary to traditional newsgathering in media coverage.

By contrast, in Syria, with the tight control and exclusion of foreign media, news organizations had to rely almost exclusively on user-generated content, particularly in the early months of the uprising. Much of the user-generated content used by news outlets came via Syrian activists inside Syria and in exile.

To examine how user-generated content has been integrated into prominent Arab-language news organizations, Internews commissioned and collaborated with the Center for Global Communication Studies to produce Deciphering User-Generated Content In Transitional Societies: A Syria Coverage Case Study which looks closely at how BBC Arabic and Al Jazeera Arabic used social media, photos and videos taken by members of the public to provide coverage of the uprising in Syria, particularly in the early days of the uprising.

Based on research conducted over a 12-week period between No­vember 2011 and January 2012, this study employed a qualitative, mixed method approach using literature review, in-depth interviews with 19 media practitioners, academics, activists and commentators; and, a content analysis of the news and current affairs output of BBC Arabic and Al Jazeera Arabic, focusing on three major events at different stages of the Syrian revolt.”

March 2012
Report by the Center for Global Communication Studies, Annenberg School for Communication, University of Pennsylvania, commissioned by Internews
Authors: Juliette Harkin, Kevin Anderson, Libby Morgan, Briar Smith
40 pages

Publisher

PDF, PDF

Lars Nyre: Sound Media: From Live Journalism to Music Recording (2008)

Sound Media considers how music recording, radio broadcasting and muzak influence people’s daily lives and introduces the many and varied creative techniques that have developed in music and journalism throughout the twentieth century. Lars Nyre starts with the contemporary cultures of sound media, and works back to the archaic soundscapes of the 1870s.

The first part of the book devotes five chapters to contemporary digital media, and presents the internet, the personal computer, digital radio (news and talk) and various types of loudspeaker media (muzak, DJ-ing, clubbing and PA systems). The second part examines the historical accumulation of techniques and sounds in sound media, and presents multitrack music in the 1960s, the golden age of radio in the 1950s and back to the 1930s, microphone recording of music in the 1930s, the experimental phase of wireless radio in the 1910s and 1900s, and the invention of the gramophone and phonograph in the late nineteenth century.

Sound Media includes a soundtrack CD with thirty-six examples from broadcasting and music recording in Europe and the USA, from Edith Piaf to Sarah Cox, and is richly illustrated with figures, timelines and technical drawings.

Publisher Routledge, an imprint of Taylor & Francis, 2008
ISBN 041539113X, 9780415391139
221 pages

publisher
google books

PDF (updated on 2012-8-3)