Suzanne Lacy (ed.): Mapping the Terrain: New Genre Public Art (1995)

22 November 2017, dusan

“Departing from the traditional definition of public art as sculpture in parks and plazas, new genre public art brings artists into direct engagement with audiences to deal with the compelling issues of our time. This is the first definitive collection of writings on the subject by critics, artists, and curators who are pioneers in the field. Includes essays by Judith Baca, Estella Conwill Májozo, Suzi Gablik, Guillermo Gomez-Pena, Mary Jane Jacob, Allen Kaprow, Jeff Kelley, Lucy Lippard, Patricia C. Phillips, and Arlene Raven.”

Publisher Bay Press, Seattle, 1995
ISBN 0941920305, 9780941920308
296 pages

Reviews: Kirkus Rev (1994), Gaye Green (Art J, 1999), Carole Gold Calo (Public Art Dialogue, 2012).
Commentary: Stephanie Smith (Afterall, 2011).

Editor
WorldCat

PDF (49 MB, updated on 2018-6-22)

Sarah E.K. Smith: General Idea: Life & Work (2016) [English, French]

7 July 2017, dusan

“Provocateurs General Idea (active 1969–1994) invented their history and made it reality: ‘We wanted to be famous, glamourous and rich. That is to say we wanted to be artists and we knew that if we were famous and glamourous we could say we were artists and we would be. … We did and we are. We are famous, glamourous artists.’ The group—comprised of AA Bronson, Felix Partz, and Jorge Zontal—met in Toronto in the late 1960s and went on to live and work together for twenty-five years. General Idea ceased activities in 1994, with the untimely deaths of Partz and Zontal from AIDS-related causes.”

Publisher Art Canada Institute, 2016
Open access
ISBN 9781487100926
138 pages

Publisher

English: PDF, PDF (28 MB), HTML (includes videos)
French: PDF, PDF (28 MB), HTML (includes videos)

Invisible Places, Sounding Cities: Sound, Urbanism and Sense of Place (2014)

11 November 2016, dusan

“Our proposal is to increase awareness of the importance of our local and global soundscapes and our role in their experience and design. As listeners, we are also responsible for the shape and beauty of our own soundscape. Therefore, we must open our ears.”

Proceedings from the symposium and exhibition created as part of the 4th edition of Jardins Efémeros (Ephemeral Gardens) festival in Viseu, Portugal, and consisting of 54 paper presentations, 11 artist talks and 54 audioworks.

Edited by Raquel Castro and Miguel Carvalhais
Publisher Jardins Efémeros, Viseu
ISBN 9789897460487
808 pages

Publisher

PDF, PDF (36 MB)