Filed under book, magazine | Tags: · artists book, mail art
Essential anthology of writings from 1978-1998 published in the periodical Umbrella.
“It is hard to believe that more than twenty years have passed since the first issue of Umbrella was issued as a fledgling newsletter catering to the ever-changing vicissitudes of contemporary visual art, especially that of artist books, mail art, video art, rubber-stamps, audio art, and everything else that was considered not very important in the realm of the nearly new ‘market’ which came with the eighties and the boom in contemporary and modern art. … Many of these articles respond to a conference, symposium, a book art exhibition, all referring to date-sensitive events. But in a strange way, it also marks a trace of a historic moment, one in which there was a vitality and an energy, in which book publishers, resource collectors, multi-faceted artists, and curators did whatever seemed right at the moment. Many of our colleagues are gone, the publishers have quit their businesses, and alternative spaces and foundations which nourished their work are no longer extant. So read these chapters as if you were reading ‘you are there’ historic moments, traces of memory, and the markers in the history of alternative in the contemporary art world of the past twenty years.” — Judith A. Hoffberg (1934-2009) from book’s foreword.
Contributions by Clive Phillpot, Ken Friedman, Ita Aber, Walter Askin, Anna Banana, Mariona Barkus, Guy Bleus, Sas Colby, Patricia Collins, Jules Engel, J.C. Gagnon, William Harroff, Dick Higgins, E.F. Higgins III, Ruggero Maggi, Janet Pyle, Marilyn Rosenberg and Miriam Schaer.
Articles about and interviews with Ulises Carrión, Warja Lavater, Paul Zelevansky, Phil Dadson, Rod Summers, Maurizio Nannucci, Klaus Groh, Bern Porter, Wolf Vostell, Kevin Osborn, Juliao Sarmento, Paula Claire, Angela Pahler, Peter Kusterman, Leavenworth Jackson, Richard Kostelanetz, Elaine Langerman, Lawrence Weiner, George Maciunas, Jean Brown, and Judith A. Hoffberg.
Edited by Judith A. Hoffberg
Publisher Umbrella Editions, Santa Monica, CA, 1999
ISBN 0963504223, 9780963504227
PDF (58 MB)Comment (0)
Filed under book | Tags: · art criticism, artists book, mail art, performance art, video art
“An anthology of essays taken from La Mamelle and ART COM magazines. It collects and places in dialogue 24 articles penned by critics and artists such as La Mamelle / ART COM founder Carl Loeffler, Lynn Hershman, Richard Irwin, Anna Couey, and Linda Montano, plus interviews with artists such as Douglas Davis and Eleanor Antin.
This collection represents the complexity of the ideas presented in the exhibition as they were grappled with at the time of their original publication, and it also positions them as contemporary questions; particularly relevant is the mediation of performance. It also features conversations between the curators and two of La Mamelle / ART COM’s key figures, Nancy Frank and Darlene Tong.”
Edited by Liz Glass, Susannah Magers, and Julian Myers
Publisher Graduate Program in Curatorial Practice/CCA & CCA Wattis Institute for Contemporary Arts, San Francisco, 2011
ISBN 9780980205572, 0980205573
PDF (5 MB)Comment (0)
Katalin Cseh-Varga, Adam Czirak (eds.): Performance Art in the Second Public Sphere: Event-based Art in Late Socialist Europe (2018)
Filed under book | Tags: · art history, censorship, communism, east-central europe, eastern europe, event, happening, mail art, nudity, performance, performance art, protest, public sphere, sexuality, socialism, southeastern europe, theatre, underground
“This is the first interdisciplinary analysis of performance art in East, Central and Southeast Europe under socialist rule. By investigating the specifics of event-based art forms in these regions, each chapter explores the particular, critical roles that this work assumed under censorial circumstances.
The artistic networks of Yugoslavia, Hungary, Latvia, Lithuania, Poland, Romania, East Germany and Czechoslovakia are discussed with a particular focus on the discourses that shaped artistic practice at the time, drawing on the methods of Performance Studies and Media Studies as well as more familiar reference points from art history and area studies.”
Publisher Routledge, New York & London, 2018
ISBN 9781138723276, 1138723274
Interview with editors (ARTMargins, 2014)Comment (0)