Filed under book | Tags: · art history, latin america, south america
“Marta Traba, one of Latin America’s most controversial art critics, examines the works of over 1,000 artists from the first 80 years of the 20th century. This book is an indispensable reference for anyone interested in studying the evolution of Latin American art.”
Publisher Inter-American Development Bank, Washington, DC, 1994
ISBN 0940602717, 9780940602717
Review: Carolyn Kay (Canadian J LatAm Caribbean Studies, 1994).Comment (0)
Filed under book | Tags: · 1950s, 1960s, art criticism, art history, latin america, south america
In this book, Marta Traba examines how the growing influence of American art shaped the art of Latin America during the 1950s and 1960s, and how Latin American artists have both succumbed and resisted the effects of this influence.
Publisher Ediciones de la Biblioteca Universidad Central de Venezuela, Caracas, 1972
Nuevos Planteamientos series, 10
via ICAA Docs
PDF (5 MB)Comment (0)
Filed under catalogue | Tags: · africa, art, art history, asia, caribbean, colonialism, contemporary art, diaspora, eastern europe, ethnocentrism, globalisation, latin america, middle east, multiculturalism, postcolonialism, south america
Catalogue of an exhibition held 18 May-14 August 1989 at the Centre Pompidou and La Grande Halle-La Villette, curated by Jean-Hubert Martin with the assistance of Jan Debbaut, Mark Francis, Jean-Louis Maubant, Aline Luque, André Magnin and Jacques Soulillou.
“An exhibition loved and hated in equal measure, Martin curated the show to address the fact that there were, as he put it, “one hundred percent of exhibitions ignoring 80 percent of the earth.” He attempted to engage critically with certain aspects of neo-colonial mentality in the West, particularly a resurgent interest in ‘primitivism,’ which Martin felt aestheticized exotic cultures without destablilizing western definitions of fine art, modernism, or identity. The exhibition included works by 100 artists (50 from the so called ‘West’ and 50 from the ‘margins’), attempting to show all on equal footing. The success of this attempt is still disputed and discussed in terms of the exhibition history of the past twenty-odd years, but it remains undeniable that the exhibition enacted an important break with some of the conventions of exhibition-making and strictly defined notions of modernism. Exhibited artists included Marina Abramovic, John Baldessari, Mike Chukwukelu, Braco Dimitrijevic, Yongping Huang, Boujemaa Lakhdar, Richard Long, Sigmar Polke, Jangarh Singh Shyam, Ulay, Jeff Wall, Jimmy Wululu, etc. ” (Source)
With essays by Jean-Hubert Martin, Aline Luque, Mark Francis, André Magnin, Pierre Gaudibert, Thomas McEvilley, Homi Bhabha, Jacques Soulillou, Bernard Marcadé.
Publisher Editions du Centre Pompidou, Paris, 1989
ISBN 2858504989, 9782858504985
Interview with curator (Benjamin H.D. Buchloh, Art in America, 1989, EN)
Reviews: 10 French press reviews (1989), more, list of reviews (1989, 30 pp).
Analysis and commentary: Special issue of Les Cahiers du Musée National d’Art Moderne (1989, FR, 101 MB, added on 2019-8-14), Special issue of Third Text (1989, EN), Thomas McEvilley (1990, EN), Cesare Poppi (engage, 2003, EN), Hal Foster et al (2004/07, EN), Daniel Soutif (2005, FR), Reesa Greenberg (Art Journal, 2005, EN), Maureen Murphy (Critique d’art, 2013, FR/EN), Pablo Lafuente (2013, EN), Annie Cohen-Solal (Stedelijk Studies, 2014, EN), Adam Jasper (AU&NZ Journal of Art, 2014, EN), Julia Friedel (C&, 2016, EN).
Short documentary (1989)
Pompidou’s 25th anniversary exhibition (2014)
Film retrospective at Tate (2014)
PDF (168 MB)Comment (0)