L’Internationale (ed.): Feminisms (2018)

24 July 2018, dusan

“The importance of women’s rights have sprung up in movements across the globe in the past few years, exacerbated by increasing social, environmental, technological and political polarities.

This publication examines how women, or those who identify as female have been addressing not only inequalities – in reproductive rights, sexual rights, and in the right to equal pay – but also how plural feminisms have been and are being consistently re-thought, and how art museums can work with and respond to issues surrounding women’s rights.

Feminisms play a crucial role in what L’Internationale does – not only as a way to live and work with women, but as a framework for continually re-assessing the institution’s position for its publics. What is prevalent in this publication is a need to ask how we deal with emotion – not only as individuals, but as institutions and within bureaucracies. We hope that this publication can serve to raise discussions and to develop institutional practices that take into account our different publics, through a feminist lens.”

With texts by Sarah Werkmeister, María Eugenia Rodríguez Palop, Ewa Majewska, Nataša Petrešin-Bachelez, María Pia López, Sarp Özer, Mojca Kumerdej, Yayo Herrero, Fatma Arikoglu, Sarah Browne, The Otolith Group and Annie Fletcher.

Publisher L’Internationale Online, 2018
Creative Commons BY-NC-SA License
ISBN 9789491564079
186 pages

Publisher

PDF, PDF
EPUB, EPUB

The Techno-Galactic Guide to Software Observation (2018)

17 July 2018, dusan

“This techno-galactic software survival guide was collectively produced as an outcome of the Techno-Galactic Software Observatory (Brussels, 2017). This guide proposes several ways to achieve critical distance from the seemingly endless software systems that surround us. It offers practical and fantastical tools for the tactical (mis)use of software, empowering/enabling users to resist embedded paradigms and assumptions. It is a collection of methods for approaching software, experiencing its myths and realities, its risks and benefits.”

With contributions from Manetta Berends, Željko Blaće, Larisa Blazic, Freyja van den Boom, Anna Carvalho, Loup Cellard, Joana Chicau, Cristina Cochior, Pieter Heremans, Joak aka Joseph Knierzinger, Jogi Hofmüller, Becky Kazansky, Anne Laforet, Ricardo Lafuente, Michaela Lakova, Hans Lammerant, Silvio Lorusso, Mia Melvaer, An Mertens, Lidia Pereira, Donatella Portoghese, Luis Rodil-Fernandez, Natacha Roussel, Andrea di Serego Alighieri, Lonneke van der Velden, Ruben van de Ven, Kym Ward, Wendy Van Wynsberghe, and Peter Westenberg.

Compiled by Carlin Wing, Martino Morandi, Peggy Pierrot, Anita Burato, Christoph Haag, Michael Murtaugh, Femke Snelting, and Seda Gürses
Publisher Constant, Brussels, 2018
Free Art License 1.3
ISBN 9789081145961
244 pages

Publisher
Project folder
Event

PDF, PDF (44 MB)
HTML (different version)
Git

Stevphen Shukaitis: The Composition of Movements to Come: Aesthetics and Cultural Labor after the Avant-Garde (2016)

14 July 2018, dusan

“How does the avant-garde create spaces in everyday life that subvert regimes of economic and political control? How do art, aesthetics and activism inform one another? And how do strategic spaces of creativity become the basis for new forms of production and governance?

The Composition of Movements to Come reconsiders the history and the practices of the avant-garde, from the Situationists to the Art Strike, revolutionary Constructivism to Laibach and Neue Slowenische Kunst, through an autonomist Marxist framework. Moving the framework beyond an overly narrow class analysis, the book explores broader questions of the changing nature of cultural labor and forms of resistance around this labor. It examines a doubly articulated process of refusal: the refusal of separating art from daily life and the re-fusing of these antagonistic energies by capitalist production and governance. This relationship opens up a new terrain for strategic thought in relation to everyday politics, where the history of the avant-garde is no longer separated from broader questions of political economy or movement, but becomes a point around which to reorient these considerations.”

Publisher Rowman & Littlefield, London & New York, 2016
New Politics of Autonomy series
ISBN 9781783481736, 1783481730
xx+176 pages

Reviews: Gregory Sholette (Critical Inquiry, 2015), Marc James Léger (Afterimage, 2016), Martin Parker (Culture Machine, 2017).

Publisher
WorldCat

PDF (4 MB)