.dpi, 22: Free Culture (2011) [French/English]

.dpi is an alternative forum for discourse and creation, on the subject of women, media and technological landscapes.

“Against recurrent and rhetorical assaults from the “creative” industries and governments that claim loud and clear that copyrights and intellectual property are the saving grace of culture, some creators diffuse their work and reuse, reinvent and revolt themself and play. They claim free culture as both movement and public discourse – a discourse that is multilingual.

Extension of the public domain, prism of freedom, translation of a universe or restoration of a natural state – can free culture interpret itself freely? What makes it culture? What freedom does it embody? What is it fighting for? What materials is it using and what relationships is it building on?

Dpi22 Free Culture offers a number of propositions that are sometimes at odds, tensing against one another. Throughout the issue, they act as dialogue from the artists-thinkers of this culture and freedom and showcase a virulent dynamic.” (from Editorial)

With articles by Nancy Mauro-Flude, Britt Wray, Aymeric Mansoux, Dragana Zarevska, Yasna Dimitrovska.
Artworks by Sarah Boothroyd, Pascale Gustin

Guest Editor-in-Chief: Anne Goldenberg
Coordinator: Ximena Holuigue
Editorial team: Christina Haralanova, Liza Petiteau, Deanna Radford, Dina Vescio
Publisher: Studio XX, November 2011
ISSN 1712-9486

HTML (English, updated on 2017-12-2)
HTML (French, updated on 2017-12-2)

Straight Turkey, 1 (1974)

“Straight Turkey published interviews with and writings by Los Angeles–based artists and critics, including John Baldessari, Peter Plagens, Claire Copley, Barbara Munger, Walter Gabrielson, and Theron Kelley. The magazine’s title (which evolved from issue to issue and was sometimes left off entirely) was meant with a wink, referring to an expression at the time loosely meaning “genuine article” or “straight talk.” To preserve the integrity and authenticity of the artist’s voice, editor Timothy Silverlake insisted that all material be printed in as unfiltered a manner as possible, unedited except for typos, and that interviews be conducted spontaneously and transcribed verbatim—a policy he explained as “a reaction against the politics of validating art, a system that has gotten us to the point of intellectual elitism and far away from the reality of the artistic process, a process that I would think is worth maintaining.” Three issues were published.” (Source)

Edited by Timothy Silverlake
Publisher Robert Yamada, Los Angeles, March-April 1974
51 pages

Experiments in Print: A Survey of Los Angeles Artists’ Magazines from 1955 to 1986 (article by Gwen L. Allen, 2012)

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Vision, 1 (1975)

The first issue of the magazine published between 1975 and 1981 in Oakland, California.

“Museums and magazines, […] because they do not talk to artists, sometimes get hold of an art idea previously unknown to them and mishandle it. This is happening now with performance or action art. Galleries and art magazines cause confusion by mixing it up with dance, theater, music and other forms outside the visual arts.”—Tom Marioni, 1975. Published in the introduction to the first issue of his magazine Vision, an “artist-oriented publication, presenting works and material only from artists.”

With contributions by California artists Bruce Conner, Paul Kos, Bonnie Sherk, Linda Montano, Larry Bell, Robert Irwin, Michael Asher, Bruce Nauman, Ed Ruscha, Allen Ruppersberg, Chris Burden, Eleanor Antin, Barbara T. Smith, and Wayne Thiebaud, among others.

Edited by Tom Marioni
Published by Kathan Brown, Crown Point Press, Oakland, CA, 1975
67 pages
via East of Borneo

Vision Magazine: Idea-Oriented Art in Print (1975–1981) (article by Tom Marioni, 2011)

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