Wassily Kandinsky: Klänge / Sounds (1913–) [German, English]

Kandinsky’s self-described “musical album,” Klänge (Sounds), consists of thirty-eight prose-poems he wrote between 1909 and 1911 and fifty-six woodcuts he began in 1907. In it, he emphasizes the physiological impact of the sonic quality of language, often repeating words until focus on meaning subsides and new focus on aural character of words emerges. These poems were instrumental in Kandinsky’s development of abstraction.

“Klänge is one of his three major publications that appeared shortly before World War I, alongside Über die Geistige in der Kunst (Concerning the Spiritual in Art) and the Blaue Reiter almanac, which he edited with one of the group’s cofounders, Franz Marc. Fearing poor sales, Munich-based Reinhard Piper only reluctantly published Klänge, and Kandinsky had to guarantee the production costs. More than two years after its release, Klänge had sold fewer than 120 copies. The planned Russian version never materialized. The publication was nevertheless influential on other avant-garde artists, and Futurists in Russia and Dadaists in Zürich recited and published some of the poems.” (Heather Hess, source)

Publisher R. Piper, Munich, [1913]
Printer of Plates in color: F. Bruckmann A.G., Munich
Printer of Plates in black: Poeschel & Trepte, Leipzig
Printer of Text: Poeschel & Trepte, Leipzig
Book designer: Kandinsky
Typography: Grotesque
Edition of 300; plus 45 hors commerce
59 unnumbered folios, 28.1 x 27.7 cm
via MOMA

English edition
Translated and with an Introduction by Elizabeth R. Napier
Publisher Yale University Press, New Haven and London, 1981
ISBN 0300025106
136 pages

Commentary (Christopher Short, Tate Papers, 2006)
Wikipedia (EN)

Klänge (German, 50 MB), View online (Flash viewer at Moma.org), Different scan from Bibliotheque Kandinsky (25 MB, added on 2016-3-14)
Sounds (English, 14 MB)

Echte Wagner Margarine, Album 3, Serie 12-13: Zukunftsfantasien (c1930)

This image comes from a set of collectible cards issued by the margarine factory Wagner & Co. in the northern German town of Elmshorn, circa 1930. The album is arranged in 36 series of 6 cards each; two of them (12-13) are titled “Zukunftsfantasien” [Fantasies about the Future]. The author of the cards is unknown.

The caption under the image reads: „Drahtloses Privattelefon und Fernseher. Jeder hat nun sein eigenes Sende- und Empfangsgerät und kann sich auf einer bestimmten Welle mit Bekannten und Verwandten unterhalten. Aber auch die Fernseh-Technik hat sich so vervollkommnet, daß man dem Freunde gleichzeitig ins Angesicht schauen kann. Sende- und Empfangsgerät sind nicht mehr an den Ort gebunden, sondern werden in einem Kasten von der Größe eines Photoapparates immer mitgeführt.“

Publisher Heinz Wagner / Holsteinsche Pflanzenbutterfabriken Wagner & Co., Elmshorn in Holstein, c1930
1 of 18 nonpaginated cardboard sheets
HT RidT

More about the album

Low resolution JPGs (via)
View online (cards only, on Retro-Futurism.de)
Cards assembled into PDF (via)

El Lissitzky, Hans Arp: Die Kunstismen / Les ismes de l’art / The Isms of Art: 1914–1924 (1925) [DE/FR/EN]

“Habe eine Idee für das letzte Merz-Heft 1924: ‘Letzte Truppenschau aller Ismen von 1914-24’.” schrieb El Lissitzky in einem Brief. Es gelang ihm, Hans Arp für diese Idee zu begeistern.

This book begins with definitions by well-known artists of the various movements, or forms of art, of the period. They range from Cubism, Futurism, Expressionism, Abstract Art, through Metaphysicians, Suprematism, Simultanism, Dadaism, Purism, Neoplasticism, Merz, Proun, Perism, Constructivism, to Abstract Film. The section is followed by reproductions illustrating each movement.

Publisher Eugen Rentsch, Erlenbach-Zürich, 1925
Typography El Lissitzky
Print Staehle & Friedel, Stuttgart
xi+48 pages, 75 ills., 26.5 × 24.5 cm
Unlimited Edition

Wikipedia-DE

PDF (64 MB, via Bibliothèque Kandinsky)
PDF (43 MB, added on 2020-12-5, via Kunsthaus Zurich)
Find more Lissitzky’s publications on Monoskop wiki.