Tanja Ostojić: Lexicon of Tanjas Ostojić (2018)

“This publication is based upon the Lexicon of Tanjas Ostojić (2011-2017), an interdisciplinary participatory research art project by Tanja Ostojić that included academic and artistic research, five creative workshops, a number of public events, one group performance, and two exhibitions involving more then 30 women.”

Edited by Tanja Ostojić
Publisher Live Art Development Agency, London, and Museum of Modern and Contemporary Art, Rijeka, 2018
ISBN 9780993561139, 0993561136
157 pages
via author

Reviews: SeeCult (2017), Bojana Videkanic (Sociologija, 2018).
Interview with author: Matthew Rose (Artblog, 2018).

Author
Exhibition (MoCAB, Belgrade, 2017)
Exhibition (MMSU, Rijeka, 2017)
Publisher (with audio recording from book launch)
WorldCat

PDF (11 MB)

oneacre.online (2017–)

“oneacre.online is an experimental publishing and distribution project that utilises an online platform to seed unprintable text-based works by emerging artists. The project explores the possibilities of hyper-publishing in a series of commissioned publications. Thematically the first four place themselves in the online world of constant updates and refresh buttons that, as theorist Wendy Chun observes, “exist at the bleeding edge of obsolescence. We thus forever try to catch up, updating to remain the same”. The publications use the omnidirectional online terrain and actions that are native to it — such as refreshing, instantly available to edit, easily erasable, highlighting, copy-pasting and non linear navigation — to explore and critically evaluate visions and versions of power systems by tracing the politics of technological infrastructures. Hidden in places as traditional as archives, as often used as smart phone applications, omnipresent and inescapable as the financial market and as quiet and evasive as the transfer of information in narrative structures.

The series showcased in December 2017 Poetics and Politics of Erasure by Yun Ingrid Eel, a multidisciplinary research paper on the aesthetics and politics of erasure. In March 2018, Artificial Intelligence Never Has a Headache by Karina Zavidova, a long-form about the fear of AI spread by the media, and the market of productivity-enhancing tools it has fuelled. In July 2018 Radio, Techno, Fossil by Eline Benjaminsen & Sophie Dyer, the story of a radio-image as it traverses the bounds of the Earth’s surfaces, atmospheres and techno-geographies. And in September 2018, Meaning Seeking Animals by Lisa van Casand, a subjective collection of a wide range of perspectives on the transfer of information.”

Made by Stef Kors, Titus Knegtel, Victoria Douka-Doukopoulou
Published 2017-2018

HTML (limited preview; use the direct links above to access publications)

Richard Avedon, James Baldwin: Nothing Personal (1964)

A book about the state of life in America. Photographs by Richard Avedon and text by James Baldwin.

First published by Atheneum, New York, 1964; and C. H. Bucher, Lucerne, 1964
This edition, Publisher Dell Publishing, New York, 1965
[88] pages
via Kelli Anderson

Interview with Hilton Als (Antwaun Sargent, Galerie, 2017).
Commentary: Hilton Als (New Yorker, 2017).
Reviews: Brian Willis (Aperture, 2016), Steven W Thrasher (Guardian, 2017), Buzz Poole (LA Review of Books, 2018), Carmen Merport (LA Review of Books, 2018).

WorldCat

PDF (9 MB)
JPGs
Reprint of Baldwin’s text