Michel Serres: The Parasite (1980–)

“Michel Serres’s foundational work uses fable to explore how human relations are identical to that of the parasite to the host body. Among Serres’s arguments is that by being pests, minor groups can become major players in public dialogue—creating diversity and complexity vital to human life and thought.”

Originally published as Le Parasite, Grasset, 1980.

Translated, with notes, by Lawrence R. Schehr
Publisher Johns Hopkins University Press, Baltimore and London, 1982
ISBN 0801824567, 9780801824562
255 pages

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François Laruelle: Anti-Badiou: On the Introduction of Maoism Into Philosophy (2011/2013)

“This compelling and highly original book represents a confrontation between two of the most radical thinkers at work in France today: Alain Badiou and the author, François Laruelle.

At face value, the two have much in common: both espouse a position of absolute immanence; both argue that philosophy is conditioned by science; and both command a pluralism of thought. Anti-Badiou relates the parallel stories of Badiou’s Maoist ‘ontology of the void’ and Laruelle’s own performative practice of ‘non-philosophy’ and explains why the two are in fact radically different. Badiou’s entire project aims to re-educate philosophy through one science: mathematics. Laruelle carefully examines Badiou’s Being and Event and shows how Badiou has created a new aristocracy that crowns his own philosophy as the master of an entire theoretical universe. In turn, Laruelle explains the contrast with his own non-philosophy as a true democracy of thought that breaks philosophy’s continual enthrall with mathematics and instead opens up a myriad of ‘non-standard’ places where thinking can be found and practised.”

Originally published as Anti-Badiou: sur l’introduction du maoïsme dans la philosophie by Éditions Kimé, Paris, 2011

Translated by Robin Mackay
Publisher Bloomsbury Academic, London/New York, 2013
ISBN 1441190767, 9781441190765
246 pages

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The Edge of Reason, catalogue (2011)

The exhibition The Edge of Reason, curated by Norwegian and London-based artists Sidsel Christensen and Ben Judd in 2011 in the KinoKino centre in Sandnes, Norway, explored notions of authenticity and belief, inviting viewer to have a first-hand experience of a world beyond the senses.

Christensen and Judd invited artists whose work helps to trace a historical overlapping in the development of the empirical and scientific with the irrational and mystical. The artists in the exhibition presented a duality of experience, by moving in-between a sceptical enquiry and a more internalised visionary engagement to explore the unknown.

Artists: Sidsel Christensen, Marcus Coates, Maya Deren, George Gurdjieff, Susan Hiller, Ben Judd, Hilma af Klint, Susan MacWilliam, Oscar Muñoz, Karen Russo (with Jeremy Millar, Shezad Dawood, Mark Titchner), Jane and Louise Wilson.

The catalogue contains transcript of a 2011 séance contacting the Swedish pioneer of abstract art and mystic Hilma af Klint (1862—1944; pages 16-23).

Publisher KinoKino Centre for Art and Film, Sandnes, Norway, 2011
56 pages

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