Tuned City: Between Sound and Space Speculation (2008)

“Sounds belong to the City. They determine spaces and identities. For years, artists have been using city noises as a material to stage or to question urban space – new territory, however, for most architects and planners within the routines of functional planning procedures. Tuned City – Between Sound and Space Speculation searches for a new evaluation of architectural spaces from the perspective of acoustics. This volume presents various positions of architects, artists and theorists to expand the architectural discourse with the dimension of listening. ”

The English section runs from the page 97-192.

Contributions by Doris Kleilein and Anne Kockelkorn, Barry Blesser and Linda-Ruth Salter, Gisela Herzog and Gerhard Steinke, Susanne Hauser, Thomas Ankersmit, Pascal Amphoux and Grégoire Chelkoff, Raviv Ganchrow, Mark Bain, Arno Brandlhuber and Markus Emde, Michael Bull, Stefan Kölsch, and Jacob Kirkegaard.

Edited by Doris Kleilein, Anne Kockelkorn, Gesine Pagels, and Carsten Stabenow
Publisher Kook Books, Idstein, 2008
Reihe Essay series, 4
ISBN 9783937445366, 3937445366
192 pages

Reviews: Rahma Khazam (The Wire, 2008), Alessandro Ludovico (Neural, 2009).

Project website
Project website (book)
WorldCat

PDF, PDF (10 MB)
See also catalogues from Tuned City editions in Berlin (2008), Tallinn (2011), Brussels (2013), and Athens (2018).

Tempo, Tempo! The Bauhaus Photomontages of Marianne Brandt (2005) [English/German]

“Marianne Brandt (1893–1983) is celebrated for her Bauhaus metal designs, beautiful and mass-reproducible objects created to revolutionize modern interior spaces. Much less well known are her photomontages, which constitute a critical complement to her metal works. In these pieces from the mid-1920s and early 1930s, Brandt focused an analytical gaze on contemporary society and politics. Drawing on the vast array of visual material made available by the Weimar Republic’s burgeoning illustrated press, Brandt’s photomontages relied upon the technologies of modern visual culture to challenge pictorial conventions, to denounce the dangerous side of modern technology that had become so apparent in the First World War, and to image new roles for women in interwar society. Tempo, Tempo! The Bauhaus Photomontages of Marianne Brandt is the first publication to present, document and analyze the full range of Brandt’s work in photomontage.”

Edited by Elizabeth Otto
Publisher Jovis Verlag, Berlin, and Bauhaus-Archiv Museum of Design, Berlin, 2005
ISBN 3936314551, 9783936314557
175 pages
via Academia.edu

Reviews: Marion Deshmukh (H-Net, 2006), Melissa A. Johnson (Woman’s Art Journal, 2008).
Exh. reviews: Grace Glueck (New York Times, 2006), Ben Davis (Artnet, 2006).

Exhibition (Harvard Art Museums, Cambridge, MA)
Exhibition (International Center of Photography, New York)
Publisher
WorldCat

PDF (7 MB)

Brian O’Doherty: Object and Idea: An Art Critic’s Journal, 1961-1967 (1967)

A collection of art criticism published in The New York Times, Newsweek and Art and Artists by Brian O’Doherty, the author of Inside the White Cube, focusing on modern art.

Publisher Simon and Schuster, New York, 1967
ISBN 0671530542, 9780671530549
250 pages

WorldCat

PDF (77 MB)