Bojana Cvejić, Goran Sergej Pristaš (eds.): Parallel Slalom: A Lexicon of Non-aligned Poetics (2013)
Filed under book | Tags: · aesthetics, cinema, contemporary art, dance, east-central europe, non-aligned movement, performance, poetics, theatre, theory, yugoslavia
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“What does it take to create one’s own concepts? What does it mean to own a concept? Parallel Slalom is an edited collection of essays that attempt to address these questions from the viewpoint of artistic and theoretical practices that have been developing since the 1960s, especially in the period after the breakup of Yugoslavia in 1991. Artists, dramaturges, theorists, editors, writers or ‘cultural workers’ who write or are written about in this volume don’t always belong to the same historical, geopolitical and cultural framework that the curator Ješa Denegri called, the ‘common Yugoslav cultural space’ also because a considerable number of writers come from contexts other than those in Eastern Europe. Yet they share a kind of thought that arises from within, or close to, artistic practice as a poetical instrument of looking past art into the production of political, social and aesthetic realms.”
“Among the concepts developed are: Americanism; artivisim; acting without publicizing; Chaplinism; cinema clubs; cinematic modes of action; contextual art; delay; delayed audience; digitality; East Dance Academy; generations; group sex; laziness; operation; politics of affection and uneasiness; proceduralism; protocol; radical amateurism; reconstruction, second-hand-knowledge; slideshow; temporary zones, shelters, and project spaces; tiger’s leap into history; unburdened, aesthetically; unlearned, terminally.”
Contributions by Ric Allsopp, Jonathan Beller, Ivana Bago, Bojana Cvejić, Isabel de Naveran, Tomislav Gotovac, Owen Hatherley, Ana Janevski, Janez Janša, Marko Kostanić, Bojana Kunst, Antonia Majača, Aldo Milohnić, Goran Sergej Pristaš, Mårten Spångberg, Mladen Stilinović, Miško Šuvaković, Terminally Unschooled, Terms study group, and Ana Vujanović.
Publisher Walking Theory ‒ TkH, Belgrade, and CDU – Centre for Drama Art, Zagreb, 2013
ISBN 8690589961, 9788690589968
411 pages
via Academia.edu
Publisher (TkH)
Publisher (CDU)
WorldCat
PDF (7 MB)
Comment (0)Glória Ferreira (ed.): Crítica de Arte no Brasil: temáticas contemporâneas (2006) [BR-PT]
Filed under book | Tags: · aesthetics, art, art criticism, art history, art theory, avant-garde, brazil, concrete art, constructivism, contemporary art, media, neo-concrete art, painting

A collection of 91 texts by 80 authors that represent a multidisciplinary universe of ideas and opinions regarding the visual arts of Brazil from 1946-2006. The essays are divided into 7 main topics: Constructive Tradition; Avant-Garde / Experimentalism; Art Criticism; Circuits; Return / Permanence of Painting; Images and Media; and Transitive Situations.
The authors include Mário Pedrosa, Ferreira Gullar, Aracy Amaral, Décio Pignatari, Mario Schenberg, Frederico Morais, Paulo Sérgio Duarte, Hélio Oiticica, Reynaldo Roels Junior, Murilo Mendes, Fernando Cocchiarale, Cildo Meireles, Walmir Ayala, Ronaldo Brito, Antonio Dias, Jorge Guinle, Paulo Herkenhoff, Waldemar Cordeiro, Haroldo de Campos, Roberto Pontual, Arlindo Machado, Wilson Coutinho and Joaquim Ferreira dos Santos.
Publisher Funarte, Rio de Janeiro, 2006
Pensamento crítico series
ISBN 8575070797, 9798575070795
575 pages
PDF (32 MB)
Comment (0)Waste Not: Zhao Xiangyuan & Song Dong (2009)
Filed under catalogue | Tags: · art, china, contemporary art, waste

“Waste Not is an exhibit by Chinese artist Song Dong that displays over 10,000 domestic objects formerly owned by his late mother, who refused to throw anything away if she could possibly reuse it. She had suffered poverty during China’s turmoils in the 1950s and 1960s and had acquired a habit of thrift and re-use that led her to store domestic objects of all kinds in her tiny house in Beijing. After the death of her husband in 2002, her desire to hoard items became an obsession that began to have an impact on her standard of living. Song and his sister managed to alleviate it by persuading her to let him use her possessions as an art installation, reflecting her life and the modern history of China as experienced by one family. First exhibited in Beijing in 2005, Waste Not has since travelled around the world to major galleries in Canada, the United Kingdom and the United States, where it has been well received by critics.” Wikipedia
Edited by Wu Hung
Publisher Tokyo Gallery, Tokyo, and Beijing Tokyo Art Projects, Beijing, 2009
ISBN 9784904149027, 4904149025
188 pages
PDF (34 MB)
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