Emmett Williams (ed.): An Anthology of Concrete Poetry (1967/2013)

“Concrete Poetry is not one style but a cluster of possibilities, all falling in the Intermedium between semantic poetry, calligraphic and typographic poetry, and sound poetry.

It first crystalized out of these earlier modes in the early 1950s in the works of such people as Eugen Gomringer (CH), Carlo Belloli (IT), Dieter Rot (IS), Öyvind Fahlström (SW), the Noigandres Group (Haroldo and Augusto de Campos, Décio Pignatari and others, BR), Carlfriedrich Claus (GDR), Gerhard Rühm, Friedrich Achleitner and H.C. Artmann (AT), Daniel Spoerri and Claus Bremer (DE), and Emmett Williams (US, then living in DE). In recent years a second generation of major figures have added to the movement, including such people as Hansjörg Mayer (DE), Ladislav Novák and Jiří Kolář (CZ), Edwin Morgan and Ian Hamilton Finlay (SC), Bob Cobbing (EN), bp Nichol (CA), Mary Ellen Solt and Jonathan Williams (US), Pierre and Ilse Garnier (FR), Seiichi Niikuni and Kitasono Katue (JP) and many others.

The very fact of the appearance of parallel work more or less independently in so many countries and languages indicates one of the unique aspects of the movement, namely its source being in the development of a new mentality in which values become fused and inter-relationships established on a more complex plain than was the case in the purer, earlier modes of poetry.” (Something Else Press, 1967)

Publisher Something Else Press, New York, 1967
New edition Primary Information, New York, 2013
ISBN 9780985136437
x+342 pages
via Silvio Lorusso

Reviews: Ingrid Melano (Kaleidoscope 2014), Sam Rowe (Chicago Review 2014).

Publisher
WorldCat

PDF (91 MB)

Sezgin Boynik: Still Stealing Steel: Historical-Materialist Study of Zaum (2014)

An artistic research on Zaum language conducted in Tbilisi, Georgia.

Publisher Rab-Rab, Tbilisi, 2014
Photography by Minna Henriksson
Open access
[58] pages

Publisher

PDF
PDF (updated edition, 2017, added on 2025-1-29)

continent. 4.3: Intangible Architectures (2015)

“This issue of continent. deals with the theme of intangible architectures. While in keeping with the theoretical and experimental nature of previous issues, this release intends a balance with an urgent grounding in current events, political schemas and areas of research that demand broadened dialogue. An underlying conversation represents some response to the tension that is enabled through systems that shape experience, behaviour and meaning – examining the imprints and traces that are left on our beings by these forms.

In some cases, this tension is manifest as social violence, where political and economic conditions are inseparable from the cultural expression of these structures. The idea of intangible architectures as political agents may relate to emergency states, militarised environments, questions of statehood and national borders, and the patterns of self-determining communities (Paul Boshears, Charles Stankievech, Ethel Baraona Pohl, César Reyes Nájera, Léopold Lambert). Architectures that are not yet constructed, and the rhetoric used to justify or oppose such development, are also revealing of the philosophy of private developers and communities of resistance (Lital Khaikin, Nathan Medema).

We may then find, after encountering these most immediate forms of intangible architectures, the spatial manipulations of social and intimate behaviour, laws, experiences, and memories. Architectural structures that do exist may yet conceal more complex frameworks, which exude laws that are autonomous to their initial, intended use. These subtle systems are encountered in liminal and transitory zones of city space, in artist-run exhibition spaces, in the homes that we recreate in our memories, in the emotional symbolism we create from structural space (Paolo Patelli, Giuditta Vendrame, Simone Ferracina, Sophie-Carolin Wagner, Tiara Roxanne).

But then, may we go deeper to find traces, mirrors of these intangible architectures, within language and more abstract experience of atmosphere? Do the systems by which we begin a construction of our understanding of the world – from phonemes to the cartographies that are charted in sonic atmosphere – not also shape our behaviours and relationships to space? (Kaie Kellough, Jason Sharp, Orit Halpern) In all cases, we are asked to consider the manifestations of structures that determine our experiences, interpretations and relationships to space. Let these be public or intimate – they engage the imagination equally, challenging us to think about the way these imprints affect our shared presence and relation to all beings.” (from Editorial)

Edited by Lital Khaikin, Paul Boshears, Jamie Allen, and Matt Bernico
Publisher continent., September 2015
Creative Commons Attribution 3.0 License
ISSN 2159-9920

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