Donna J. Haraway: When Species Meet (2008)

25 June 2009, dusan

“In 2006, about 69 million U.S. households had pets, giving homes to around 73.9 million dogs, 90.5 million cats, and 16.6 million birds, and spending over $38 billion dollars on companion animals. As never before in history, our pets are truly members of the family. But the notion of “companion species”—knotted from human beings, animals and other organisms, landscapes, and technologies—includes much more than “companion animals.”

In When Species Meet, Donna J. Haraway digs into this larger phenomenon to contemplate the interactions of humans with many kinds of critters, especially with those called domestic. At the heart of the book are her experiences in agility training with her dogs Cayenne and Roland, but Haraway’s vision here also encompasses wolves, chickens, cats, baboons, sheep, microorganisms, and whales wearing video cameras. From designer pets to lab animals to trained therapy dogs, she deftly explores philosophical, cultural, and biological aspects of animal-human encounters.

In this deeply personal yet intellectually groundbreaking work, Haraway develops the idea of companion species, those who meet and break bread together but not without some indigestion. “A great deal is at stake in such meetings,” she writes, “and outcomes are not guaranteed. There is no assured happy or unhappy ending—socially, ecologically, or scientifically. There is only the chance for getting on together with some grace.”

Ultimately, she finds that respect, curiosity, and knowledge spring from animal-human associations and work powerfully against ideas about human exceptionalism.”

Publisher University of Minnesota Press, 2008
ISBN 0816650462, 9780816650460
360 pages

Reviews: Margrit Shildrick (Society and Animals, 2008), Ivan Csicsery-Ronay, Jr. (Humanimalia, 2010).

Publisher

PDF (updated on 2012-7-31)

Florian Cramer: Words Made Flesh: Code, Culture, Imagination (2005)

21 February 2009, dusan

“Executable code existed centuries before the invention of the computer in magic, Kabbalah, musical composition and experimental poetry. These practices are often neglected as a historical pretext of contemporary software culture and electronic arts. Above all, they link computations to a vast speculative imagination that encompasses art, language, technology, philosophy and religion. These speculations in turn inscribe themselves into the technology. Since even the most simple formalism requires symbols with which it can be expressed, and symbols have cultural connotations, any code is loaded with meaning. This booklet writes a small cultural history of imaginative computation, reconstructing both the obsessive persistence and contradictory mutations of the phantasm that symbols turn physical, and words are made flesh.”

Editor: Matthew Fuller, additional corrections: T. Peal
Published within Media Design Research programme, Piet Zwart Institute, Willem de Kooning Academy Hogeschool, Rotterdam
GNU General Public License 2; GNU Free Documentation License 1.2; Creative Commons Attribution-ShareAlike License 2.0
141 pages

Review: Tomáš Javůrek (Joinme, 2018, CZ).

Publisher

PDF (updated on 2012-10-11)
HTML (added on 2013-7-1)

Sequel: Exe.cut(up)able statements: Poetische Kalküle und Phantasmen des selbstausführenden Texts (2011, in German).