Donna Haraway: How Like a Leaf: An Interview with Thyrza Nichols Goodeve (1999)

5 October 2015, dusan

A lengthy interview-conversation that covers aspects of both Haraway’s life and work.

Publisher Routledge, 1999
ISBN 0415924022, 9780415924023
197 pages

Reviews: Tony Scott (Kairos, 2000), Erika Bourguignon (NWSA Journal, 2001).
Commentary: McKenzie Wark (Public Seminar, 2015).

Publisher
WorldCat

PDF (2 MB, updated on 2018-5-11)

Jacques Monod: Chance and Necessity (1970–) [FR, EN, DE, RO, IT]

8 March 2015, dusan

In this classic book, Nobel Prize winner Jacques Monod interprets the processes of evolution to show that life is only the result of natural processes by “pure chance”. The basic tenet of this book is that systems in nature with molecular biology, such as enzymatic biofeedback loops can be explained without having to invoke final causality. (from Wikipedia)

Publisher Seuil, Paris, 1970
197 pages

English edition
Translated by Austryn Wainhouse
Publisher Vintage, 1971
199 pages

Reviews and commentaries: Bernard Strauss & Erica Aronson (Perspectives in Biology and Medicine, 1972), R.J. Hernstein (Commentary, 1972), F. Eugene Yates & Arthur S. Iberall (Annals of Biomedical Engineering, 1973), Danny Yee (1994), Oren Harman (LA Review of Books, 2014).

Le Hasard et la Nécessité (French, 1970, 7 MB)
Chance and Necessity (English, trans. Austryn Wainhouse, 1971, 29 MB, no OCR)
Zufall und Notwendigkeit (German, trans. Friedrich Griese, 1977)
Hazard si necesitate (Romanian, trans. Sergiu Sararu, 1991, 15 MB)
Il caso e la necessità (Italian, 1997, 7 MB)

Hillel Schwartz: The Culture of the Copy: Striking Likenesses, Unreasonable Facsimiles, 2nd ed. (1996/2013)

7 March 2014, dusan

The Culture of the Copy is an unprecedented attempt to make sense of the Western fascination with replicas, duplicates, and twins. In a work that is breathtaking in its synthetic and critical achievements, Hillel Schwartz charts the repercussions of our entanglement with copies of all kinds, whose presence alternately sustains and overwhelms us. Through intriguing, and at times humorous, historical analysis and case studies in contemporary culture, Schwartz investigates a stunning array of simulacra—counterfeits, decoys, mannequins, and portraits; ditto marks, genetic cloning, war games, and camouflage; instant replays, digital imaging, parrots, and photocopies; wax museums, apes, and art forgeries, not to mention the very notion of the Real McCoy. Working through a range of theories on biological, mechanical, and electronic repro­duction, Schwartz questions the modern esteem for authenticity and uniqueness. The Culture of the Copy shows how the ethical dilemmas central to so many fields of endeavor have become inseparable from our pursuit of copies—of the natural world, of our own creations, indeed of our very selves.

This updated edition takes notice of recent shifts in thought with regard to such issues as biological cloning, conjoined twins, copyright, digital reproduction, and multiple personality disorder. At once abbreviated and refined, it will be of interest to anyone concerned with proglems of authenticity, identity, and originality.

First published in 1996
Publisher Zone Books, New York, 2013
ISBN 1935408453, 9781935408451
480 pages

Review (Terence Hawkes, London Review of Books, 1997)
Review (Francis Kane, The New York Times, 1997)
Review (Todd Gitlin, Los Angeles Times, 1997)

Publisher
Google books

Download (removed on 2014-3-20 upon request of the publisher)