M. T. Anderson: Strange Mr. Satie (2003)

Walking through the streets of Paris over a hundred years ago, Erik Satie could not have looked more normal in his black bowler hat and tie. But Mr. Satie was dreaming of music no one had heard before – music like ancient chants and modern circus tunes rolled into one. A friend of poets, puppeteers, magicians, great painters like Picasso, and the Surrealists, Satie was at the center of a world where sense was nonsense, and the imagination ruled supreme.

M. T. Anderson recounts the story of the irreverent French composer in a biography that is witty, accessible, and endlessly surprising, while Petra Mathers’s illustrations capture all the vibrancy that was Erik Satie’s topsy-turvy world.

Illustrated by Petra Mathers
Publisher Viking, New York, 2003
38 pages

Review (Alice Cary, BookPage, 2003)

Author

PDF (13 MB)

Alex Potts: Flesh and the Ideal: Winckelmann and the Origins of Art History (1994)

“Johann Joachim Winckelmann (1717-1768), one of the most important figures ever to have written about art, is considered by many to be the father of modern art history. This book is an intellectual biography of Winckelmann that discusses his magnum opus, History of the Art of Antiquity, in the context of his life and work in Germany and in Rome in the eighteenth century.

Alex Potts analyzes Winckelmann’s eloquent account of the aesthetic and imaginative Greek ideal in art, an account that focuses on the political and homoerotic sexual content that gave the antique ideal male nude its larger resonance. He shows how Winckelmann’s writing reflects the well-known preoccupations and values of Enlightenment culture as well as a darker aspect of Enlightenment ideals–such as the fantasy of a completely free sovereign subjectivity associated with Greek art. Potts explores how Winckelmann’s historical perspective on the art of antiquity both prefigures and undermines the more strictly historicizing views put forward in the nineteenth century and how his systematic definition of style and historical development casts a new light on the present-day understanding of these notions. According to Potts, Winckelmann goes well beyond the simple rationalist art history and Neoclassical art theory with which he is usually associated. Rather, he often seems to speak directly to our present awareness of the discomforting ideological and psychic contradictions inherent in supposedly ideal symbolic forms.”

Publisher Yale University Press, 1994
ISBN 0300087365, 9780300058130
302 pages
via satranc112

Reviews: Christopher Reed (Journal of the History of Sexuality, 1996)
Dorothy Johnson (Eighteenth-Century Studies, 1996)

Publisher

PDF (27 MB)

Winckelmann’s works.

Sigmund Freud: His Life in Pictures and Words (1974/1985)

Photographs assembled from family collections, manuscripts, letters and published material, each captioned by a passage from Freud’s writing.

Originally published as Sigmund Freud. Sein Leben in Bildern und Texten, Suhrkamp, Frankfurt am Main, 1974.

Edited by Ernst Freud, Lucie Freud and Ilse Grubrich-Simitis
With a biographical sketch by K.R. Eissler
Design by Willy Fleckhaus
Translated by Christine Trollope
English edition first published by Harcourt Brace Jovanovich, New York, 1978
This edition published by W.W. Norton & Company, New York and London, 1985
ISBN 0393302857
350 pages

PDF (95 MB, no OCR)