Felix Stalder: Digital Solidarity (2013) [English, German]
Filed under book | Tags: · commons, networks, p2p, politics, social movements, swarm, technology, theory

“Felix Stalder’s extended essay, Digital Solidarity, responds to the wave of new forms of networked organisation emerging from and colliding with the global economic crisis of 2008. Across the globe, voluntary association, participatory decision-making and the sharing of resources, all widely adopted online, are being translated into new forms of social space. This movement operates in the breach between accelerating technical innovation, on the one hand, and the crises of institutions which organise, or increasingly restrain society on the other. Through an inventory of social forms – commons, assemblies, swarms and weak networks – the essay outlines how far we have already left McLuhan’s ‘Gutenberg Galaxy’ behind. In his cautiously optimistic account, Stalder reminds us that the struggles over where we will arrive are only just beginning.”
Publisher Mute and Post-Media Lab, Leuphana University, December 2013
Anti Copyright
ISBN 1906496927, 9781906496920
68 pages
Author
Publisher (EN, Mute)
Publisher (EN, PML)
Publisher (DE, Rosa Luxemburg Stiftung)
Digital Solidarity (English, 2013)
Digitale Solidarität (German, 2014, added on 2017-6-4)
Jacques Rancière: Aisthesis: Scenes from the Aesthetic Regime of Art (2011/2013)
Filed under book | Tags: · aesthetics, art, art history, art theory, body, cinema, dance, film, life, literature, music, painting, pantomime, philosophy, photography, poetry, politics, representation, sculpture, theatre, theory
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Rancière’s magnum opus on the aesthetic.
“Composed in a series of scenes, Aisthesis–Rancière’s definitive statement on the aesthetic–takes its reader from Dresden in 1764 to New York in 1941. Along the way, we view the Belvedere Torso with Winckelmann, accompany Hegel to the museum and Mallarmé to the Folies-Bergère, attend a lecture by Emerson, visit exhibitions in Paris and New York, factories in Berlin, and film sets in Moscow and Hollywood. Rancière uses these sites and events—some famous, others forgotten—to ask what becomes art and what comes of it. He shows how a regime of artistic perception and interpretation was constituted and transformed by erasing the specificities of the different arts, as well as the borders that separated them from ordinary experience. This incisive study provides a history of artistic modernity far removed from the conventional postures of modernism.”
First published as Aisthesis : Scènes du régime esthétique de l’art, Éditions Galilée, 2011
Translated by Zakir Paul
Publisher Verso Books, 2013
ISBN 1781680892, 9781781680896
304 pages
via falsedeity
Reviews: Hal Foster (London Review of Books), Joseph Tanke (Los Angeles Review of Books), Marc Farrant (The New Inquiry), Ali Alizadeh (Sydney Review of Books), Jean-Philippe Deranty (Parrhesia).
Roundtable discussion with Rancière at Columbia (video, 43 min)
Selected interviews and reviews (in French)
François Cusset: French Theory: How Foucault, Derrida, Deleuze, & Co. Transformed the Intellectual Life of the United States (2003–) [FR, EN]
Filed under book | Tags: · deconstruction, feminism, france, history, history of philosophy, literary theory, marxism, philosophy, politics, postmodern, poststructuralism, structuralism, theory, united states

“During the last three decades of the twentieth century, a disparate group of radical French thinkers achieved an improbable level of influence and fame in the United States. Compared by at least one journalist to the British rock ‘n’ roll invasion, the arrival of works by Michel Foucault, Jacques Derrida, Jean-François Lyotard, Jean Baudrillard, Gilles Deleuze, and Félix Guattari on American shores in the late 1970s and 1980s caused a sensation.
Outside the academy, “French theory” had a profound impact on the era’s emerging identity politics while also becoming, in the 1980s, the target of right-wing propagandists. At the same time in academic departments across the country, their poststructuralist form of radical suspicion transformed disciplines from literature to anthropology to architecture. By the 1990s, French theory was woven deeply into America’s cultural and intellectual fabric.
French Theory is the first comprehensive account of the American fortunes of these unlikely philosophical celebrities. François Cusset looks at why America proved to be such fertile ground for French theory, how such demanding writings could become so widely influential, and the peculiarly American readings of these works. Reveling in the gossipy history, Cusset also provides a lively exploration of the many provocative critical practices inspired by French theory. Ultimately, he dares to shine a bright light on the exultation of these thinkers to assess the relevance of critical theory to social and political activism today—showing, finally, how French theory has become inextricably bound with American life.”
Publisher La Découverte, Paris, 2003
ISBN 2707146730
373 pages
English edition
Translated by Jeff Fort, With Josephine Berganza and Marlon Jones
Publisher University of Minnesota Press, 2008
ISBN 0816647321, 9780816647323
388 pages
Reviews: Jennifer Ferng (Leonardo), Juliet J. Fall (Foucault Studies), Ethan Kleinberg (NPDR), Bridie Lonie (Junctures, FR).
French Theory: Foucault, Derrida, Deleuze & Cie et les mutations de la vie intellectuelle aux États-Unis. (French)
French Theory: How Foucault, Derrida, Deleuze, & Co. Transformed the Intellectual Life of the United States. (English)