Marshall McLuhan, et al.: Verbi-Voco-Visual Explorations (1967)
Filed under book | Tags: · art, bauhaus, dada, language, literature, mass media, media theory, music, speech, synaesthesia, telephone, television, text

Revised edition of Explorations magazine, No. 8 (Oct 1957).
With additional contributions by V. J. Papanek, J. B. Bessinger, Marshall McLuhan, Karl Polanyi, Carol C. Hollis, David Hogg, Jack Jones
Publisher Something Else Press, New York/Frankfurt/Villefranche-sur-Mer, 1967
61 pages
via aphasic-letters.com
PDF (40 MB)
Comments (2)Margret Kentgens-Craig: The Bauhaus and America: First Contacts, 1919-1936 (1999)
Filed under book | Tags: · 1920s, 1930s, architecture, art, avant-garde, bauhaus, design, education, history of architecture, united states

The Bauhaus school was founded in Weimar in 1919 by the German architect Walter Gropius, moved to Dessau in 1925 and to Berlin in 1932, and was dissolved in 1933 by Ludwig Mies van der Rohe under political duress. Although it existed for a mere fourteen years and boasted fewer than 1,300 students, its influence is felt throughout the world in numerous buildings, artworks, objects, concepts, and curricula.
After the Bauhaus’s closing in 1933, many of its protagonists moved to the United States, where their acceptance had to be cultivated. The key to understanding the American reception of the Bauhaus is to be found not in the émigré success stories or the famous 1938 Bauhaus exhibition at the Museum of Modern Art, but in the course of America’s early contact with the Bauhaus. In this book Margret Kentgens-Craig shows that the fame of the Bauhaus in America was the result not only of the inherent qualities of its concepts and products, but also of a unique congruence of cultural supply and demand, of a consistent flow of information, and of fine-tuned marketing. Thus the history of the American reception of the Bauhaus in the 1920s and 1930s foreshadows the patterns of fame-making that became typical of the post-World War II art world. The transfer of artistic, intellectual, and pedagogical concepts from one cultural context to another is a process of transformation and integration. In presenting a case study of this process, the book also provides fresh insights into the German-American cultural history of the period from 1919 to 1936.
Publisher MIT Press, 1999
ISBN 026211237X, 9780262112376
283 pages
PDF (updated on 2012-7-31)
Comment (0)RoseLee Goldberg: Performance: Live Art 1909 to the Present (1979–) [English, Spanish]
Filed under book | Tags: · art, art history, bauhaus, dada, futurism, happening, live art, painting, performance, performance art, spectacle, surrealism

A provocative history of live art traces the precedents of contemporary multi-media events to Bauhaus experimentalism and surveys the Futurists’ manifesto-like events, the Dadaists’ cabarets, and later “happenings” and “spectacles.”
Publisher Harry N. Abrams, New York, 1979
ISBN 0810914565, 9780810914568
128 pages
Performance: Live Art 1909 to the Present (English, 1979, 44 MB, updated on 2018-10-28)
Performance art: desde el futurismo hasta el presente (Spanish, 1996, 67 MB, updated on 2017-7-10)