Richard Gilman-Opalsky: Spectacular Capitalism: Guy Debord and the Practice of Radical Philosophy (2011)

Despite recent crises in the financial system, uprisings in Greece, France, Tunisia, and Bolivia, worldwide decline of faith in neoliberal trade policies, deepening ecological catastrophes, and global deficits of realized democracy, we still live in an era of “spectacular capitalism.” But what is “spectacular capitalism”? Spectacular capitalism is the dominant mythology of capitalism that disguises its internal logic and denies the macroeconomic reality of the actually existing capitalist world. Taking on this elusive mythology, and those who too easily accept it, Richard Gilman-Opalsky exposes the manipulative and self-serving narrative of spectacular capitalism.

Drawing on the work of Guy Debord, Gilman-Opalsky argues that the theory of practice and practice of theory are superseded by upheavals that do the work of philosophy. One could ask: Who better raises questions about public and private spheres of influence and control, Jürgen Habermas or the water war activists who made a rebellion in Cochabamba, Bolivia in the spring of 2000? Or, has any sociological theorist done better than the Zapatistas to reframe and raise questions about indigenous identity? Spectacular Capitalism makes the case not only for a new philosophy of praxis, but for praxis itself as the delivery mechanism for philosophy – for the field of human action, of contestation and conflict, to raise directly the most irresistible questions about the truth and morality of the existing state of affairs.

Published by Minor Compositions, June 2011
ISBN 157027228X, 978-1570272288
136 pages
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Begüm Özden Firat, Aylin Kuryel (eds.): Cultural Activism: Practices, Dilemmas, and Possibilities (2011)

This volume addresses contemporary activist practices that aim to interrupt and reorient politics as well as culture. The specific tactics analyzed here are diverse, ranging from culture jamming, sousveillance, media hoaxing, adbusting, subvertising, street art, to hacktivism, billboard liberation, and urban guerilla, to name but a few. Though indebted to the artistic and political movements of the past, this form of activism brings a novel dimension to public protest with its insistence on humor, playfulness, and confusion. This book attempts to grasp both the old and new aspects of contemporary activist practices, as well as their common characteristics and internal varieties. It attempts to open up space for the acknowledgement of the ways in which contemporary capitalism affects all our lives, and for the reflection on possible modes of struggling with it. It focuses on the possibilities that different activist tactics enable, the ways in which those may be innovative or destructive, as well as on their complications and dilemmas.

The encounter between the insights of political, social and critical theory on the one hand and activist visions and struggles on the other is urgent and appealing. The essays collected here all explore such a confrontational collaboration, testing its limits and productiveness, in theory as well as in practice. In a mutually beneficial relationship, theoretical concepts are rethought through activist practices, while those activist practices are developed with the help of the insights of critical theory. This volume brings scholars and activists together in the hope of establishing a productive dialogue between the theorizations of the intricacies of our times and the subversive practices that deal with them.

Publisher Rodopi, Amsterdam/New York, NY, 2011
Thamyris/Intersecting: Place, Sex and Race series, No 21
ISBN 9042029811, 9789042029811
261 pages

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Michael Löwy: Morning Star: Surrealism, Marxism, Anarchism, Situationism, Utopia (2000–) [IT, BR-PT, EN]

“This work collects the author’s essays on the ways in which surrealism intersected with a variety of revolutionary political approaches, ranging from utopian ideals to Marxism and situationism. Taking its title from André Breton’s essay “Arcane 17,” which casts the star as the searing firebrand of rebellion, Löwy’s provocative work spans many perspectives. These include surrealist artists who were deeply interested in Marxism and anarchism (Breton among them), as well as Marxists who were deeply interested in surrealism (Walter Benjamin in particular).

Probing the dialectics of innovation, diversity, continuity, and unity throughout surrealism’s international presence, Morning Star also incorporates analyses of Claude Cahun, Guy Debord, Pierre Naville, José Carlos Mariátegui and others, accompanied by numerous reproductions of surrealist art. An extraordinarily rich collection, Morning Star promises to ignite new dialogues regarding the very nature of dissent.”

Previously published in part as L’Étoile du matin: surréalisme et marxisme, Éditions Syllepse, 2000.

English edition
Introduction by Donald LaCoss
Publisher University of Texas Press, 2009
Surrealist Revolution series
ISBN 0292718942, 9780292718944
xxx+142 pages

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Worldcat (EN)

La stella del mattino: surrealismo e marxismo (Italian, trans. Maria Novella Pierini, 2001, added on 2022-5-8)
A estrel da manhã: surrealismo e marxismo (Brazilian Portuguese, trans. Eliana Aguiar, 2002, added on 2019-2-11)
Morning Star: Surrealism, Marxism, Anarchism, Situationism, Utopia (9 MB, updated on 2019-2-11)