Stephen Wolfram: A New Kind of Science (2002)

This long-awaited work from one of the world’s most respected scientists presents a series of dramatic discoveries never before made public. Starting from a collection of simple computer experiments–illustrated in the book by striking computer graphics–Stephen Wolfram shows how their unexpected results force a whole new way of looking at the operation of our universe.

Wolfram uses his approach to tackle a remarkable array of fundamental problems in science, from the origins of apparent randomness in physical systems, to the development of complexity in biology, the ultimate scope and limitations of mathematics, the possibility of a truly fundamental theory of physics, the interplay between free will and determinism, and the character of intelligence in the universe.

Written with exceptional clarity, and illustrated by nearly a thousand original pictures, this seminal book allows scientists and nonscientists alike to participate in what promises to be a major intellectual revolution.

Publisher Wolfram Media Inc, 2002
ISBN 1579550193, 9781579550196
348 pages

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Judith Roof: The Poetics of DNA (2007)

Reveals the ideological effects of DNA metaphors and stories.

How has DNA come to be seen as a cosmic truth, representative of all life, potential for all cures, repository for all identity, and end to all stories? In The Poetics of DNA, Judith Roof examines the rise of this powerful symbol and the implications of its ascendancy for the ways we think—about ourselves, about one another, and about the universe.

Descriptions of DNA, Roof argues, have distorted ideas and transformed nucleic acid into the answer to all questions of life. This hyperbolized notion of DNA, inevitably confused or conflated with the “gene,” has become a vector through which older ways of thinking can merge with the new, advancing long-discredited and insidious ideas about such things as eugenics and racial selection and influencing contemporary debates, particularly the popular press obsession with the “gay gene.” Through metaphors of DNA, she contends, racist and homophobic ideology is masked as progressive science.

Grappling with twentieth-century intellectual movements as well as contemporary societal anxieties, The Poetics of DNA reveals how descriptions of DNA and genes typify a larger set of epistemological battles that play out not only through the assumptions associated with DNA but also through less evident methods of magical thinking, reductionism, and pseudoscience.

For the first time, Roof exposes the ideology and cultural consequences of DNA and gene metaphors to uncover how, ultimately, they are paradigms used to recreate prejudices.

Publisher U of Minnesota Press, 2007
ISBN 0816649979, 9780816649976
Length 243 pages

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Nicole Shukin: Animal Capital. Rendering Life in Biopolitical Times (2009)

Illuminates the profound contingency of market life on animal figures and flesh

The juxtaposition of biopolitical critique and animal studies—two subjects seldom theorized together—signals the double-edged intervention of Animal Capital. Nicole Shukin pursues a resolutely materialist engagement with the “question of the animal,” challenging the philosophical idealism that has dogged the question by tracing how the politics of capital and of animal life impinge on one another in market cultures of the twentieth and early twenty-first centuries.

Shukin argues that an analysis of capital’s incarnations in animal figures and flesh is pivotal to extending the examination of biopower beyond its effects on humans. “Rendering” refers simultaneously to cultural technologies and economies of mimesis and to the carnal business of boiling down and recycling animal remains. Rendering’s accommodation of these discrepant logics, she contends, suggests a rubric for the critical task of tracking the biopolitical conditions and contradictions of animal capital across the spaces of culture and economy.

From the animal capital of abattoirs and automobiles, films and mobile phones, to pandemic fear of species-leaping diseases such as avian influenza and mad cow, Shukin makes startling linkages between visceral and virtual currencies in animal life, illuminating entanglements of species, race, and labor in the conditions of capitalism. In reckoning with the violent histories and intensifying contradictions of animal rendering, Animal Capital raises provocative and pressing questions about the cultural politics of nature.

Publisher University of Minnesota Press, 2009
ISBN 0816653429, 9780816653423
288 pages

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