Michel Foucault: The Politics of Truth (1997/2007)

“In 1784, the German newspaper Berlinische Monatschrifte asked its audience to reply to the question ‘What is Enlightenment?’ Immanuel Kant, following Moses Mendelssohn, took the opportunity to investigate the purported truths and assumptions of his ‘age of reason.’ Two hundred years later, Michel Foucault released a response to Kant’s initial essay, positioning the philosopher as the initiator of the discourse, and critique, of modernity—a credit traditionally accredited to Nietzsche. The Politics of Truth takes this initial encounter between these two philosophers, Foucault and Kant, as the framework around which these different lectures and unpublished essays are assembled. Ranging from reflections on the Enlightenment and revolution to a consideration of the Frankfurt School, this collection offers insight into the topics preoccupying Foucault as he worked on what would be his last body of published work, the three volume History of Sexuality. Foucault’s examination of Kant’s “What is Enlightenment?” is the most “American” moment of Foucault’s thinking. It is in America that he realized the necessity of tying down his own reflection to that of the Frankfurt School. Edited by Sylvère Lotringer, The Politics of Truth contains transcripts of lectures Foucault gave in America and France between 1978 and 1984, the year of his death.”

Edited by Sylvère Lotringer
Introduction by John Rajchman
Translated by Lysa Hochroth and Catherine Porter
Publisher Semiotext(e), 2007
Foreign Agents series
ISBN 1584350393, 9781584350392
195 pages

Publisher

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YoHa: Coal Fired Computers (300,000,000 Computers – 318,000 Black Lungs) (2010)

A one-hundred year old, 35-ton showman’s steam engine powers a computer with 1.5 tons of coal. Black lungs inflate every time a database record of miners’ lung disease is shown on the computer monitors. It feels like you’ve been invited into a fun fair, but one where the rides log their own accidents – a fun fair run by people who long ago became indistinct from the machines they maintain.

Over three days at the Discovery Museum, with groups of miner activists, Coal Fired Computers articulates relations between Power, Art and Media. A new work by leading UK media artists Harwood and Yokokoji (YoHa), in collaboration with Jean Demars, it responds to the displacement of coal production to distant lands like India and China after the UK miners’ strike in 1984/85.

Coal Fired Computers reflects on the complexities of our global fossil fuel reliance and especially on how coal transforms our health as we have transformed it. Today coal produces 42% of the world’s electricity, and in many countries this rate is much higher (more than 70% in India and China). This power is produced by descendants of Charles Parson’s 1884 steam turbines, also on display in the Discovery Museum.

It could be said that coal dust gets into everything. Sealed into the lungs of miners it forms visible blue streaks, like veins of coal. According to the World Health Organisation, 318,000 deaths occur annually from chronic bronchitis and emphysema caused by exposure to coal dust. The common perception is that wealthy countries have put this all behind them, displacing coal dust into the lungs of unrecorded, unknown miners in distant lands, however coal returns into our lives in the form of the cheap and apparently clean goods we consume.

Coal fired energy not only powers our computers here in the UK, but is integral to the production of the 300,000,000 computers made each year. 81% of the energy used in a computer’s life cycle is expended in the manufacturing process, now taking place in countries with high levels of coal consumption. The UK currently produces less that one third of the coal it uses, importing the majority of it and therefore displacing 150,000 tons of coal dust into unknown lungs.

Coal Fired Computers brings together these disparate elements into an artwork, allowing us to reflect on the complexities that have created and maintained power, the crisis of fuelling that power and its subsequent health residues.

Authors: Graham Harwood and Matsuko Yokokoji
Commissioned by AV Festival 2010
Produced in partnership with Discovery Museum.

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Geert Lovink, Ned Rossiter (eds.): MyCreativity Reader: A Critique of Creative Industries (2007)

“The MyCreativity Reader is a collection of critical research into the creative industries. The material develops out of the MyCreativity Convention on International Creative Industries Research held in Amsterdam, November 2006. This two-day conference sought to bring the trends and tendencies around the creative industries into critical question.

The “creative industries” concept was initiated by the UK Blair government in 1997 to revitalise de-industrialised urban zones. Gathering momentum after being celebrated in Richard Florida’s best-seller The Creative Class (2002), the concept mobilised around the world as the zeitgeist of creative entrepreneurs and policy-makers. Despite the euphoria surrounding the creative industries, there has been very little critical research that pays attention to local and national and variations, working conditions, the impact of restrictive intellectual property regimes and questions of economic sustainability. The reader presents academic research alongside activist reports that aim to dismantle the buzz-machine.”

Editorial assistance: Sabine Niederer
Publisher Institute of Network Cultures, Amsterdam, 2007
Creative Commons Attribution Noncommercial No Derivative Works 2.5 Netherlands License
ISBN: 9879078146049
274 pages

Publisher

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