Thomas Harding: The Video Activist Handbook, 2nd ed. (1998/2001)

This second edition of the highly popular The Video Activist Handbook includes numerous examples of contemporary video activism from around the world. The first book to provide the basic skills and know-how required for beginning video activism, it also offers a wealth of ideas on video strategies to those with some prior experience. Whether you are involved in campaigning, non-violent direct action, or simply want to know how to make use of video as a political tool, this book is for you. • Covers the key topics in a step-by-step guide – from choosing and using the right equipment and planning when and where to shoot, to supplying to TV, making a campaign video and legal considerations • Combines clearly written and illustrated practical advice, backed up by a wealth of resources, with first-hand examples of successful video activism • Critically assesses the mainstream media agendas and offers a lively survey of the international video activist scene.

Foreword by Anita Roddick
Publisher Pluto Press, 2001
ISBN 0745317707, 9780745317700
Length 255 pages

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Siegfried Zielinski: Audiovisions: Cinema and Television as Entr’actes in History (1989/1999)

“The production, distribution, and perception of moving images are undergoing a radical transformation. Ever-faster computers, digital technology, and microelectronic are joining forces to produce advanced audiovision -the media vanishing point of the 20th century. Very little will remain unchanged.

The classic institutions for the mediation of film – cinema and television – are revealed to be no more than interludes in the broader history of the audiovisual media. This book interprets these changes not simply as a cultural loss but also as a challenge: the new audiovisions have to be confronted squarely to make strategic intervention possible.

Audiovisions provides a historical underpinning for this active approach. Spanning 100 years, from the end of the 19th to the end of the 20th century, it reconstructs the complex genesis of cinema and television as historically relative – and thus finite – cultural forms, focussing on the dynamics and tension in the interaction between the apparatus and its uses. The book is also a plea for “staying power” in studies of cultural technology and technological culture of film.

Essayistic in style, it dispenses with complicated cross references and, instead, is structured around distinct historical phases. Montages of images and text provide supplemental information, contrast, and comment.”

Originally published as Audiovisionen: Kino und Fernsehen als Zwischenspiele in der Geschichte, Rowohlt, Reinbek bei Hamburg, 1989.

Publisher Amsterdam University Press, 1999
Film Culture in Transition series
ISBN 9789053563137
360 pages

Publisher
OAPEN

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Sean Cubitt: Videography: Video Media as Art and Culture (1993)

“Videography is an attempt to discover the conditions under which it is possible to speak, write and teach about the electronic media. It provides a materialist account of video and computer media as they are practised and used today. A theoretical section tests the claims of various theses in art history, media and cultural theory to account for the variety of video practice in the contemporary scene. The remainder of the book is devoted to close analysis of work, from amateur video to computer graphics.”

Publisher Palgrave Macmillan, 1993
ISBN 0312102968, 9780312102968
239 pages

Publisher

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