Journal of Sonic Studies, Vol. 5 (2013)

This issue of the JSS presents two items – a report of an expert meeting on auditory culture in Leiden (the Netherlands) and a handful of mini-essays inspired by a sound art exhibition at the ZKM Karlsruhe, both taking place in December 2012. The first features efforts to transgress scientific and academic barriers in and through sound studies, the second presents a new way to write around sound art.

Issue Editors: Marcel Cobussen, Jan Nieuwenhuis, Sharon Stewart, Vincent Meelberg
Publisher Leiden University Press, September 2013

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Luigi Russolo: The Art of Noises (1916–) [IT, EN, ES, DE, FR, RU]

The slim volume of essays, presented here for the first time in English translation, is one of the significant documents of musical aesthetics of this century. If the book itself has remained the province of a mere handful of readers, its ideas, passed on through a variety of later musical and literary movements, became the inspiration for some of the most innovative artistic creations of modern times. Luigi Russolo anticipated-indeed, he may have precipitated-a whole range of musical and aesthetic notions that formed the basis of much of the avant-garde thought of the past several decades. His ideas were absorbed, modified, and eventually transmitted to later generations by a number of movements and individuals-among them the futurists, the Dadaists, and a number of composers and writers of the nineteen-twenties. The noise instruments he invented fascinated and infuriated his contemporaries, and he was among the earliest musicians to put the often-discussed microtone to regular practical use in Western music. Russolo’s views looked forward to the time when composers would exercise an absolute choice and control of the sounds that their music employed. He was the precursor of electronic music before electronics had come of age.

Italian edition
Publisher Edizione Futuriste di “Poesia”, Milan, 1916
92 pages

English edition
Translated, and With an Introduction by Barclay Brown
Publisher Pendragon Press, New York, 1987
Monographs in Musicology series, Vol. 6
ISBN 0918728576
87 pages

Russolo at UbuWeb (includes 2 CDs and an edition of the 1967 Robert Filliou’s translation of the manifesto)
Wikipedia (EN)
Publisher (EN)

L’Arte dei rumori (Italian, 1916)
The Art of Noises (English, trans. Barclay Brown, 1987, no OCR)
El arte de los ruidos. Manifiesto Futurista (Spanish, 1996, the manifesto only)
Die Geräuschkunst (German, trans. Justin Winkler and Albert Mayr, 1999)
L’Art des bruits. Manifeste futuriste (French, 4th Edition, 2003/2013, the manifesto only)
Искусство шумов (Russian, undated, the manifesto only)

See also:
The Noise Instruments of Luigi Russolo (Barclay Brown, 1981, 18 pp)
Luciano Chessa: Luigi Russolo, Futurist: Noise, Visual Arts, and the Occult (2012)

Timothy Morton: Realist Magic: Objects, Ontology, Causality (2013)

“In this book Timothy Morton, an ecologist, literary theorist, and object-oriented philosopher, lures us into a magical night of objects. If things are intrinsically withdrawn, irreducible to their perception or relations or uses, they can only affect each other in a strange region of traces and footprints: the aesthetic dimension. Every object sparkles with absence. Sensual things are elegies to the disappearance of objects. Doesn’t this tell us something about the aesthetic dimension, why philosophers have often found it to be a realm of evil?

Object-oriented ontology (OOO) offers a startlingly fresh way to think about causality that takes into account developments in physics since 1900. Causality, argues OOO, is aesthetic. Morton explores what it means to say that a thing has come into being, that it is persisting, and that it has ended. Drawing from examples in physics, biology, ecology, art, literature and music, he demonstrates the counterintuitive yet elegant explanatory power of OOO for thinking causality.”

Publisher Open Humanities Press, 2013
New Metaphysics series
Creative Commons BY-SA 3.0 License
ISBN 9781607852025
228 pages

Review: Nathan Brown (Parrhesia, 2013).

Publisher

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