Sean Cubitt: Timeshift: On Video Culture (1991)

“The book argues that video, rather than film or television, has the potential to become a uniquely democratic medium. Through electronic recording: video rental, off-air recordings, music videos, community, campaign or artists’ videos, viewers have found a new set of cultural relations, uses and practices. Testing current semiotic, post-modernist and psychoanalytic approaches in the laboratory of real life viewing, the book presents a perceptive analysis of present day video culture.”

Key terms: video art, postmodern, timeshifting, psychoanalysis, Wapping dispute, solipsism, metaphysics of presence, Bill Viola, Nam June Paik, metonymy, atomised, television, pop video, portapaks, Electronic Arts, Chott El-Djerid, David Byrne, Lacan, diegesis, pop music

Publisher Routledge, 1991
ISBN 0415016789, 9780415016780
206 pages

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Gilles Deleuze, Félix Guattari: A Thousand Plateaus: Capitalism and Schizophrenia (1980–) [FR, IT, EN, ES, BR-PT, RU, CR]

“A Thousand Plateaus continues the work Gilles Deleuze and Félix Guattari began in Anti-Oedipus and has now become established as one of the classic studies of the development of critical theory in the late twentieth century. It occupies an important place at the center of the debate reassessing the works of Freud and Marx, advancing an approach that is neither Freudian nor Marxist but which learns from both to find an entirely new and radical path. It presents an attempt to pioneer a variety of social and psychological analyses free of the philosophical encumbrances criticized by postmodern writers. A Thousand Plateaus is an essential text for feminists, literary theorists, social scientists, philosophers, and others interested in the problems of contemporary Western culture.”

Publisher Les Editions de Minuit, Paris, 1980
Volume 2 of Capitalisme et Schizophrénie
ISBN 2707303070
645 pages

English edition
Translation and Foreword by Brian Massumi
Publisher University of Minnesota Press, 1987
ISBN 0816614024, 9780816614028
xix+610 pages

Key words and phrases: deterritorialization, abstract machine, rhizome, body without organs, semiotic, haecceities, war machine, stratum, black hole, nomad, fascism, destratification, psychoanalysis, line of flight, Gilles Deleuze, molar, haptic, schizoanalysis, surplus value, Paul Virilio

Review: Sander L. Gilman (Journal of Interdisciplinary History 1989).

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Mille plateaux (French, 1980, 7 MB, added on 2015-3-24, updated on 2016-8-3)
A Thousand Plateaus (English, trans. Brian Massumi, 1987, 6 MB, updated on 2019-8-19)
Mille piani: capitalismo e schizofrenia (Italian, trans. Giorgio Passerone, 1987/2003, 10 MB, added on 2016-8-3)
Mil mesetas: capitalismo y esquizofrenia (Spanish, trans. José Vázquez Pérez with Umbelina Larraceleta, 1988, 23 MB, added on 2016-8-3)
Mil platôs: capitalismo e esquizofrenia, 1, 2, 3, 4, 5 (BR-Portuguese, trans. Ana Lúcia de Oliveira, et al., 1995-97, added on 2016-8-3)
Kapitalizm i shizofreniya: tysyacha plato (Russian, trans. Ya.I. Svirsky, 2010, DJV, 11 MB, added on 2016-8-3)
Kapitalizam i shizofrenija 2. Tisuću platoa (Croatian, trans. Marko Gregorić, 2013, 19 MB, added on 2021-3-24)

Peter Krapp: Déjà Vu: Aberrations of Cultural Memory (2004)

Referring to a past that never was, déjà vu shares a structure not only with fiction, but also with the ever more sophisticated effects of media technology. Tracing the term from the end of the nineteenth century, when it was first popularized in the pages of the Revue philosophique, Peter Krapp examines the genealogy and history of the singular and unrepeatable experience of déjà vu. This provocative book offers a refreshing counterpoint to the clichid celebrations of cultural memory and forces us do a double take on the sanctimonious warnings against forgetting so common in our time.

Disturbances of cultural memory-screen memories, false recognitions, premonitions-disrupt the comfort zone of memorial culture: strictly speaking, dij vu is neither a failure of memory nor a form of forgetting. Krapp’s analysis of such disturbances in literature, art, and mass media introduces, historicizes, and theorizes what it means to speak of an economy of attention or distraction. Reaching from the early psychoanalytic texts of Sigmund Freud to the plays of Heiner M]ller, this exploration of the effects of dij vu pivots around the work of Walter Benjamin and includes readings of kitsch and aura in Andy Warhol’s work, of cinematic violence and certain exaggerated claims about shooting and cutting, of the memorial character of architecture, and of the high expectations raised by the Internet.

Published by U of Minnesota Press, 2004
ISBN 0816643342, 9780816643349
218 pages

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