Sher Doruff: The Translocal Event and the Polyrhythmic Diagram (2006)

This thesis identifies and analyses the key creative protocols in translocal performance practice, and ends with suggestions for new forms of transversal live and mediated performance practice, informed by theory. It argues that ontologies of emergence in dynamic systems nourish contemporary practice in the digital arts. Feedback in self-organised, recursive systems and organisms elicit change, and change transforms. The arguments trace concepts from chaos and complexity theory to virtual multiplicity, relationality, intuition and individuation (in the work of Bergson, Deleuze, Guattari, Simondon, Massumi, and other process theorists). It then examines the intersection of methodologies in philosophy, science and art and the radical contingencies implicit in the technicity of real-time, collaborative composition. Simultaneous forces or tendencies such as perception/memory, content/expression and instinct/intellect produce composites (experience, meaning, and intuition- respectively) that affect the sensation of interplay. The translocal event is itself a diagram – an interstice between the forces of the local and the global, between the tendencies of the individual and the collective. The translocal is a point of reference for exploring the distribution of affect, parameters of control and emergent aesthetics. Translocal interplay, enabled by digital technologies and network protocols, is ontogenetic and autopoietic; diagrammatic and synaesthetic; intuitive and transductive. KeyWorx is a software application developed for real-time, distributed, multimodal media processing. As a technological tool created by artists, KeyWorx supports this intuitive type of creative experience: a real-time, translocal “jamming” that transduces the lived experience of a “biogram,” a synaesthetic hinge-dimension. The emerging aesthetics are processual – intuitive, diagrammatic and transversal.

Doctor of Philosophy, SMARTlab Programme in Performative New Media Arts, Central Saint Martins College of Art & Design, University of the Arts, London
288 pages

PDF
PDF (Appendix “The KeyWorx Interviews: Transcripts of Interviews and Conversations with KeyWorx Artists”)

Pool (2011-2012)

“Pool is a platform dedicated to expanding and improving the discourse between online and offline realities and their cultural, societal and political impact on each other.”

Contributors: Absis Minas, Andreas Ervik, Andrew Norman Wilson, Ann Hirsch, Anne de Vries, Billy Rennekamp, Bunny Rogers, Caitlin Denny, Casey A. Von Gollan, Constant Dullaart, Daniel G. Baird, Devin Kenny, Duncan Malashock, Erik Stinson, Eugene Kotlyarenko, Gene McHugh, Ginger Scott, Harry Burke, Isabel Gylling & Matthew Ferguson, Jaakko Pallasvuo, Jennifer Chan, Jimmy Chen, Joanne McNeil, Jordan Tate, Joshua Simon, Karen Archey, Kate Steciw, Katja Novitskova, Leo Merz, Louis Doulas, Marisa Olson, Martin Jaeggi, Nicholas O’Brien, Patrick Armstrong, Riyo Nemeth, Robert John, Robert Lorayn, Ry David Bradley, Ryan Barone, Samuel Riviere, Sofia Leiby, Timur Si-Qin, Tom Moody, Wyatt Niehaus

Editor: Louis Doulas
Contributing editors: Absis Minas, Ria Roberts, Sofia Leiby
PDF design: Rasmus Svensson
Pool can easily be physically distributed and stocked at any gallery, shop, library, etc. by simply downloading each month’s PDF issue and printing.

Magazine website

PDF (June 2011, updated on 2017-12-2)
PDF (July 2011, updated on 2017-12-2)
PDF (August 2011, updated on 2017-12-2)
PDF (September 2011, updated on 2017-12-2)
PDF (October 2011, updated on 2017-12-2)
PDF / HTML (November 2011, updated on 2017-12-2)
HTML (December 2011, updated on 2017-12-2)
PDF (May 2012, added on 2017-12-2)

A Peer-Reviewed Newspaper, 1(2): In/Compatible Research (2012)

“World of the News – The world’s greatest peer-reviewed newspaper of in/compatible research presents cutting edge in/compatible research in an accessible FREE tabloid format. The newspaper partly addresses academia’s increasing demand for publication of academic peer-reviewed journal articles. Perhaps researchers need new visions of how to produce and consume research?

The content of the newspaper derives from a Ph.D. workshop and conference held in November 2011, at University of the Arts, Berlin (organised by Aarhus University in collaboration with transmediale/reSource for transmedial culture and the Vilém Flusser Archive). This provided an insight into current research from academics, practitioners, and Ph.D. researchers from an open call. Leading up to that event, and subsequent to it, a blog (this blog) has been gathering draft articles and discussions, reflecting on the key issues. This collaborative ‘peer-review’ process is further developed during the festival itself, on 01 February, 2012. So, although this may seem like old news in many ways, in terms of research practices, it breaks with some of the current academic conventions of peer-review, academic reputation, and what constitutes proper scholarly activity.”

Contributions by Christian Ulrik Andersen, Cesar Baio, Tatiana Bazzichelli, Zach Blas, Morten Breinbjerg, Geoff Cox, Lina Dokuzović, Jacob Gaboury, Kristoffer Gansing, Baruch Gottlieb, Jakob Jakobsen, Ioana Jucan, Dmytri Kleiner, Thomas Bjoernsten Kristensen, Magnus Lawrie, Giannina Lisitano, Aymeric Mansoux, Alex McLean, Rosa Menkman, Gabriel Menotti, Andrew Murphie, Jussi Parikka, Søren Pold, Morten Riis, Lasse Scherffig, Cornelia Sollfrank, Mathias Tarasiewicz, Tiziana Terranova, Marie Thompson, Nina Wenhart, Carolin Wiedemann, Siegfried Zielinski.

Edited by Geoff Cox and Christian Ulrik Andersen
Published by transmediale, Berlin, and Digital Aesthetics Research Centre, Aarhus University, Aarhus, January 2012
Creative Commons BY-NC-SA License
ISBN 8791810205
32 pages

Project page (archived)
Publisher

PDF (21 MB, updated on 2019-9-27)