Larry Gross, John Stuart Katz, Jay Ruby (eds.): Image Ethics: The Moral Rights of Subjects in Photographs, Film, and Television (1991)

This pathbreaking collection of thirteen original essays examines the moral rights of the subjects of documentary film, photography, and television. Image makers–photographers and filmmakers–are coming under increasing criticism for presenting images of people that are considered intrusive and embarrassing to the subject. Portraying subjects in a “false light,” appropriating their images, and failing to secure “informed consent” are all practices that intensify the debate between advocates of the right to privacy and the public’s right to know. Discussing these questions from a variety of perspectives, the authors here explore such issues as informed consent, the “right” of individuals and minority groups to be represented fairly and accurately, the right of individuals to profit from their own image, and the peculiar moral obligations of minorities who image themselves and the producers of autobiographical documentaries. The book includes a series of provocative case studies on: the documentaries of Frederick Wiseman, particularly Titicut Follies ; British documentaries of the 1930s; the libel suit of General Westmoreland against CBS News; the film Witness and its portrayal of the Amish; the film The Gods Must be Crazy and its portrayal of the San people of southern Africa; and the treatment of Arabs and gays on television. The first book to explore the moral issues peculiar to the production of visual images, Image Ethics will interest a wide range of general readers and students and specialists in film and television production, photography, communications, media, and the social sciences.

Publisher Oxford University Press US, 1991
ISBN 0195067800, 9780195067804
400 pages

publisher
google books

PDF (updated on 2012-7-14)

Kazys Varnelis (ed.): Networked Publics (2008)

Digital media and network technologies are now part of everyday life. The Internet has become the backbone of communication, commerce, and media; the ubiquitous mobile phone connects us with others as it removes us from any stable sense of location. Networked Publics examines the ways that the social and cultural shifts created by these technologies have transformed our relationships to (and definitions of) place, culture, politics, and infrastructure.

Four chapters—each by an interdisciplinary team of scholars using collaborative software—provide a synoptic overview along with illustrative case studies. The chapter on place describes how digital networks enable us to be present in physical and networked places simultaneously (on the phone while on the road; on the Web while at a café)—often at the expense of non-digital commitments. The chapter on culture explores the growth of amateur-produced and -remixed content online and the impact of these practices on the music, anime, advertising, and news industries. The chapter on politics examines the new networked modes of bottom-up political expression and mobilization, and the difficulty in channeling online political discourse into productive political deliberation. And finally, the chapter on infrastructure notes the tension between openness and control in the flow of information, as seen in the current controversy over net neutrality. An introduction by anthropologist Mizuko Ito and a conclusion by architecture theorist Kazys Varnelis frame the chapters, giving overviews of the radical nature of these transformations.

Contributors: Walter Baer, François Bar, Anne Friedberg, Shahram Ghandeharizadeh, Mizuko Ito, Mark E. Kann, Merlyna Lim, Fernando Ordonez, Todd Richmond, Adrienne Russell, Marc Tuters, Kazys Varnelis.

Publisher MIT Press, 2008
ISBN 0262220857, 9780262220859
176 pages

author (includes a research blog and lecture videos)
publisher
google books

PDF (updated on 2012-8-7)

Brian Larkin: Signal and Noise: Media, Infrastructure, and Urban Culture in Nigeria (2008)

Mainstream media and film theory are based on the ways that media technologies operate in Europe and the United States. In this groundbreaking work, Brian Larkin provides a history and ethnography of media in Nigeria, asking what media theory looks like when Nigeria rather than a European nation or the United States is taken as the starting point. Concentrating on the Muslim city of Kano in the north of Nigeria, Larkin charts how the material qualities of technologies and the cultural ambitions they represent feed into the everyday experiences of urban Nigeria.

Media technologies were introduced to Nigeria by colonial regimes as part of an attempt to shape political subjects and create modern, urban Africans. Larkin considers the introduction of media along with electric plants and railroads as part of the wider infrastructural project of colonial and postcolonial urbanism. Focusing on radio networks, mobile cinema units, and the building of cinema theaters, he argues that what media come to be in Kano is the outcome of technology’s encounter with the social formations of northern Nigeria and with norms shaped by colonialism, postcolonial nationalism, and Islam. Larkin examines how media technologies produce the modes of leisure and cultural forms of urban Africa by analyzing the circulation of Hindi films to Muslim Nigeria, the leisure practices of Hausa cinemagoers in Kano, and the dynamic emergence of Nigerian video films. His analysis highlights the diverse, unexpected media forms and practices that thrive in urban Africa. Signal and Noise brings anthropology and media together in an original analysis of media’s place in urban life.

Publisher Duke University Press, 2008
ISBN 0822341085, 9780822341086
313 pages

publisher
google books

PDF (updated on 2012-11-4)