The Laboratory Planet, 5: Alien Capitalism: Xenopolitics of the Anthropocene (2016) [EN, FR, ES]

“Since World War, the planet is gradually transformed into a scale 1 laboratory. The old model of “world factory” has given way to the model of the “world laboratory”. Objects of this laboratory, can we also be the subjects? Can we reclaim this huge machine that became autonomous and is now developing according to its own dynamic? Can we redirect the fate and direction of this laboratory?”

Texts by Bureau d’études, Keith A. Spencer, Spela Petric, Ewen Chardronnet, Aliens in Green, Donna Haraway, Helen Hester, Émilie Notéris, Konrad Becker, Pablo de Soto, Eugene Thacker, Alejandra Pérez Núñez, Matteo Pasquinelli, Deborah Danowski & Eduardo Viveiros de Castro.

Edited by Ewen Chardronnet and Bureau d’études
Published on 4 February 2016
24 pages

Publisher

PDF, PDF (French)
PDF, PDF (English)
PDF, previous issues.

NSK from Kapital to Capital: Neue Slowenische Kunst: An Event of the Final Decade of Yugoslavia (2015) [English, Slovenian]

“The exhibition NSK from Kapital to Capital was the first major museum project of the Neue Slowenische Kunst (NSK) collective, and followed the events of its individual constitutive groups, from 1980 and the Laibach poster scandal in Trbovlje (Slovenia) through 1992, when the art collective transformed into the NSK State in Time. The title, NSK from Kapital to Capital, places the exhibition in the socio-political context of the turbulent 1980s, when the old world order was crumbling and the all-encompassing system of global capitalism was starting to come into its own.”

Publisher Moderna Galerija, Ljubljana, 2015
ISBN 9789612061142
83 pages
via L’Internationale

Exhibition

From Kapital to Capital (English, 2015, 2 MB, PDF)
Od Kapitala do kapitala (Slovenian, 2015, PDF, added on 2017-11-7)

Hito Steyerl: Circulacionismo. Circulationism (2014) [English/Spanish]

“Using video installations and reflection in essays, Hito Steyerl presents a critical apparatus for analyzing the way in which the images produced by television, cinema and contemporary art are inscribed in a visual and economic regime. These are produced, circulated, distributed and consumed in a framework of audiovisual capitalism and form part of different institutional mechanisms of the art world, including the museum. From this perspective, the images are converted into a vehicle of social relations with an ambivalent status insofar as they are both commodity and means of political statement. A second problem raised by the artist is the truth condition of images. Her work repeatedly makes use of appropriated or poor-quality images, together with documentary-type elements, with the aim of questioning the relationship between documentary, reality and representation.”

This book contains Steyerl’s essays “Too much world: Is the Internet dead?” and “Theodore W. Adorno. Timeline”, and the essay “Weather for Liquidity” by Brian Kuan Wood.

Published on the occasion of the exhibition Hito Steyerl: Circulationism held from 27 September 2014 – 1 March 2015 at MUAC in Mexico City which brought together three of her recent works: Adorno’s Grey (2012), Museum as Battlefield (2012) and Liquidity Inc. (2014).

Publisher Museo Universitario Arte Contemporáneo (MUAC), Universidad Nacional Autónoma de México (UNAM), Mexico City, 2014
Folio MUAC series, 23
ISBN 6070257545, 9786070257544
71 pages

Publisher
WorldCat

PDF, PDF (2 MB)