Isabelle Stengers: Power and Invention: Situating Science (1997)

Explores the interplay between science, society, and power.

One of the most penetrating and celebrated thinkers writing about the philosophy of science today, Isabelle Stengers here provides a firsthand account of the meeting of science and history. Concerned with the force and inventiveness of scientific theories, this work offers a unique perspective on the power of those theories to modify society, and vice versa.

Foreword by Bruno Latour
Translated by Paul Bains
Publisher University of Minnesota Press, 1997
Theory Out Of Bounds – Volume 10
ISBN 0816625174, 9780816625178
249 pages

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google books

PDF (updated on 2012-7-17)

Melanie Dulong de Rosnay, Juan Carlos De Martin (eds.): The Digital Public Domain: Foundations for an Open Culture (2012)

Digital technology has made culture more accessible than ever before. Texts, audio, pictures and video can easily be produced, disseminated, used and remixed using devices that are increasingly user-friendly and affordable. However, along with this technological democratization comes a paradoxical flipside: the norms regulating culture’s use — copyright and related rights — have become increasingly restrictive.

This book brings together essays by academics, librarians, entrepreneurs, activists and policy makers, who were all part of the EU-funded Communia project. Together the authors argue that the Public Domain — that is, the informational works owned by all of us, be that literature, music, the output of scientific research, educational material or public sector information — is fundamental to a healthy society.

The essays range from more theoretical papers on the history of copyright and the Public Domain, to practical examples and case studies of recent projects that have engaged with the principles of Open Access and Creative Commons licensing. The book is essential reading for anyone interested in the current debate about copyright and the Internet. It opens up discussion and offers practical solutions to the difficult question of the regulation of culture at the digital age.

With a foreword by Charles R. Nelson
Publisher Open Book Publishers, Cambridge, UK, 2012
Creative Commons Attribution 3.0 Unported license
ISBN 978–1-906924–46-1
220 pages

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Peter Galison, Gerald James Holton, Silvan S. Schweber (eds.): Einstein for the 21st Century: His Legacy in Science, Art, and Modern Culture (2008)

More than fifty years after his death, Albert Einstein’s vital engagement with the world continues to inspire others, spurring conversations, projects, and research, in the sciences as well as the humanities. Einstein for the 21st Century shows us why he remains a figure of fascination.

In this wide-ranging collection, eminent artists, historians, scientists, and social scientists describe Einstein’s influence on their work, and consider his relevance for the future. Scientists discuss how Einstein’s vision continues to motivate them, whether in their quest for a fundamental description of nature or in their investigations in chaos theory; art scholars and artists explore his ties to modern aesthetics; a music historian probes Einstein’s musical tastes and relates them to his outlook in science; historians explore the interconnections between Einstein’s politics, physics, and philosophy; and other contributors examine his impact on the innovations of our time. Uniquely cross-disciplinary, Einstein for the 21st Century serves as a testament to his legacy and speaks to everyone with an interest in his work.

The contributors are Leon Botstein, Lorraine Daston, E. L. Doctorow, Yehuda Elkana, Yaron Ezrahi, Michael L. Friedman, Jürg Fröhlich, Peter L. Galison, David Gross, Hanoch Gutfreund, Linda D. Henderson, Dudley Herschbach, Gerald Holton, Caroline Jones, Susan Neiman, Lisa Randall, Jürgen Renn, Matthew Ritchie, Silvan S. Schweber, and A. Douglas Stone.

Publisher Princeton University Press, 2008
ISBN 0691135207, 9780691135205
363 pages

publisher
google books

PDF (updated on 2012-7-29)