Superflex: Tools (2003)

“Tools is a publication conceived as a workbook with examples and instructions as to how the SUPERFLEX tools might be used. The first section – primarily image based with brief texts – examines some of SUPERFLEX’s projects. The second part is a collection of essays presenting various reflections on tools and their users written by Doris Berger, Charles Esche, Mika Hannula, Andreas Spiegl and Barbara Steiner. The third section focus’s on SUPERFLEX’s activities and the people involved.”

Edited by Babara Steiner in collaboration with Superdesign
Designed by Rasmus Koch
Publisher Verlag Der Büchhandlung Walther König, Cologne, 2003
ISBN 3822877433, 9783822877432
290 pages
via Superflex

Publisher
WorldCat

PDF (10 MB)

Kristin Romberg: Aleksei Gan’s Constructivism, 1917-1928 (2010)

“This is the first monograph about the Russian constructivist Aleksei Gan (1887-1942) and an experiment in the formal analysis of a materialist practice.

Best known as co-founder of the First Working Group of Constructivists and author of the group’s agitational and theoretical texts, Gan’s own oeuvre was comprised of amateur performances and mass-media objects (texts, books, journals, and films). This dissertation shows that the same qualities of ephemerality and dependency that make Gan’s work resistant to art-historical analysis were also what made it representative of constructivism’s ambitions for a materialist approach to art. In exploring these forms, Gan redefined the ‘work of art’ as a labor process through which the material world, human beings, and normative (common or social) frameworks simultaneously produced one another. The result was an alternative modernism, what I call an aesthetics of embeddedness, whose objects were extensive and responsive structures designed to permeate and shape their environment. Through close readings, the dissertation redefines art-historical concepts such as style and medium in ways specific to Gan’s historical moment, also examining them as manifestations of tensions in the early Soviet imagination. Most crucially these involve the cult of labor, the politics of group formation, and the power of the mass media to mold the normative frameworks governing social reality.

Chapter 1 reevaluates the origins of Russian constructivism by examining Gan’s early career in cultural and political enlightenment organizations, particularly his work in amateur theater and as a ‘constructor of mass action’. Chapter 2 focuses on the crystallization of constructivism as a movement and aesthetic theory in 1921. Chapter 3 looks closely at Gan’s book Constructivism (1922), developing an understanding of constructivism based on a typographic rather than sculptural model of material making. Chapters 4 and 5 examine Gan’s journal projects in terms of architecture and cinema, defining a set of constructive paradigms that run throughout Gan’s work. Finally, chapter 6 treats Gan’s work as a filmmaker in relation to contemporary efforts to rationalize artistic labor.” (Abstract)

Ph.D. Dissertation
Columbia University, New York, 2010
576 pages

Publisher

PDF (24 MB, illustrations missing, updated on 2017-3-21)

Valerio Borgonuovo, Silvia Franceschini (eds.): Global Tools, 1973-1975 (2015)

“Global Tools was a multidisciplinary experimental program of design education founded in 1973 in Italy by the members of the Radical Architecture including Ettore Sottsass Jr. and Andrea Branzi among others. It was conceived as a diffuse system of laboratories (firstly in Florence, Milan and Naples) promoting the ‘study and use of natural materials and their behavioural characteristics’ with the support of media (namely the magazine Casabella) and aimed to establish an alternative relation with the Italian industry.”

“For the first time in the forty years that have passed since its formation, the experience of the Global Tools counter-school has been brought together in book form, uniting the images and archive documents that were produced over the few short years of its existence. This volume is compiled to chronicle and evaluate the three years of seminar activity that took place between Florence, Milan and Naples in the early 1970s, bringing to a wider audience the story of this tentative attempt to realize an experimental dispersed educational program that would serve as an alternative to the university as an institutional model of reference.

The aim of Global Tools 1973-1975 is to provide a tool for the understanding and reconstruction of the experience shared by, among others, the architects and designers Ettore Sottsass Jr., Alessandro Mendini, Andrea Branzi, Riccardo Dalisi, Remo Buti, Ugo La Pietra, Franco Raggi, Davide Mosconi, and members of the groups Archizoom, 9999, Superstudio, UFO and Zziggurat; conceptual artists and intellectuals Franco Vaccari, Giuseppe Chiari, Luciano Fabro and Germano Celant. The book also contextualizes Global Tools within a more complex network of references and connections. The critical perspectives offered by the contributions of experts and scholars are employed to shed light on those aspects of contemporary experience shared by this pedagogical utopia with the wider world.”

With contributions by Manola Antonioli, Valerio Borgonuovo, Alison J. Clarke, Beatriz Colomina, Silvia Franceschini, Maurizio Lazzarato, Franco Raggi, Simon Sadler, and Alessandro Vicari.

Publisher SALT, Istanbul, July 2015
Creative Commons BY NC ND 3.0 License
ISBN 9789944731461
173 pages

2014 exhibition and symposium

Publisher

PDF (43 MB)
EPUB (17 MB)