Jeffrey Herf: Reactionary Modernism: Technology, Culture, and Politics in Weimar and the Third Reich (1985)

“In a unique application of critical theory to the study of the role of ideology in politics, Jeffrey Herf explores the paradox inherent in the German fascists’ rejection of the rationalism of the Enlightenment while fully embracing modern technology. He documents evidence of a cultural tradition he calls ‘reactionary modernism’ found in the writings of German engineers and of the major intellectuals of the Weimar right: Ernst Juenger, Oswald Spengler, Werner Sombart, Hans Freyer, Carl Schmitt, and Martin Heidegger. The book shows how German nationalism and later National Socialism created what Joseph Goebbels, Hitler’s propaganda minister, called the ‘steel-like romanticism of the twentieth century’. By associating technology with the Germans, rather than the Jews, with beautiful form rather than the formlessness of the market, and with a strong state rather than a predominance of economic values and institutions, these right-wing intellectuals reconciled Germany’s strength with its romantic soul and national identity.”

Publisher Cambridge University Press, 1985
ISBN 0521338336, 9780521338332
251 pages

Reviews: R.J. Overy (English Historical Review), Geoff Eley (Telos).
Commentary: Thomas Rohkraemer (Contemporary European History).

Wikipedia
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Thomas P. Hughes: Networks of Power: Electrification in Western Society, 1880-1930 (1983)

“A unique comparative history of the evolution of modern electric power systems. Networks of Power not only provides an accurate representation of large-scale technological change but also demonstrates that technology itself cannot be understood or directed unless placed in a cultural context. For Thomas Hughes, both the invention of the simplest devices (like the lightbulb itself) and the execution of the grandest schemes (such as harnessing the water power of the Bavarian Alps) fit into an overarching model of technological development. His narrative is an absorbing account of the creative genius, scientific achievements, engineering capabilities, managerial skills, and entrepreneurial risks behind one of the most commonplace amenities of the modern age.” (from the back cover)

The book was awarded the Dexter Prize by the Society for the History of Technology.

Publisher The Johns Hopkins University Press, 1993
ISBN 0801846145, 9780801846144
474 pages

Review (John Neufeld, EH.net)
Review (Barry Barnes, Social Studies of Science)
Review (ZH, Innovation Group CNS UCSB)
Review (Stephen H. Cutcliffe, Technology and Culture)
Review (Mercedes Arroyo, Biblio 3W, in Spanish)

Publisher
Google books

PDF (updated on 2013-9-16 to OCR’d version)

David F. Kuhns: German Expressionist Theatre: The Actor and the Stage (1997)

“German Expressionist Theatre considers the powerfully stylized, antirealistic styles of symbolic acting on the German Expressionist stage from 1916 to 1921. It relates this striking departure from the dominant European acting tradition of realism to the specific cultural crises that enveloped the German nation during the course of its involvement in World War I. The examination of portions of previously untranslated Expressionist scripts and actor memoirs allows for an unprecedented focus on description and analysis of the acting itself.

– Examines German Expressionist theatre from a performance point of view
– Contains previously untranslated portions of Expressionist scripts and actor memoirs
– Looks in detail at key works and productions”

Publisher Cambridge University Press, 1997
ISBN 0521583403, 9780521583404
311 pages
via Charles Turner

review (Anne M. Turner, Journal of Dramatic Theory and Criticism)

Publisher

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