…ment: Journal for Contemporary Culture, Art and Politics, 2: Dénouement (2011)

“From the financial crisis to natural and man-made disasters via the wave of political extremisms, our times are patterned with catastrophes of all kinds. While the contemporary meaning of catastrophe is commonly associated to the idea of disaster and collective trauma its origin mostly refers to a sudden turn, or a reversal of what is expected. Catastrophe would therefore be this shift that allows us to explore spaces that could not be accessed, whilst breaking with the existing or the normative. Issue 2 of …ment explores the dis-ordering nature of catastrophe whilst celebrating the potential of its narratives and imageries.

…ment is a journal for contemporary culture, art and politics published in irregular intervals. Through a multi-disciplinary set of editorial forms, the journal aims to reflect on current societal issues and debates.”

With contributions by Tobias Scholz, Jean-Charles Massera, David Riff, Daniel Bürkner, Jens Meinrenken, Walter Benjamin, Bo Christian Larsson, Heather & Ivan Morison, Gustav Metzger, DOXA. Also included in the journal is an excerpt Walter Benjamin’s Theses on Philosophy of History. The printed journal includes a special edition by Bo Christian Larsson.

Editor-in-chief: Federica Bueti
Associate editors: Benoit Loiseau, Clara Meister
98 pages

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Alessio Lunghi, Seth Wheeler (eds.): Occupy Everything! Reflections on why it’s kicking off everywhere (2012)

Penned after the 2010 European student unrest and before what is now commonly referred to as the “Arab spring” began to escalate, BBC Newsnight economist Paul Mason’s “20 Reasons Why It’s Kicking Off Everywhere” sought to establish an understanding of the motivations behind these globally disparate, yet somehow connected struggles.

What roles do the “graduate with no future,” the “digital native” or the “remainder of capital” play in the current wave of unrest? What are the ideas, ideologies, motivations or demands driving these movements? How is struggle organized and coordinated in the age of memetic politics and viral ad campaigns?

This collection of essays seeks to further explore Paul Mason’s original 20 Reasons in an attempt to better understand our turbulent present.

Contributors: 500 Hammers – Thomas Gillespie & Victoria Habermehl – The Free Association – Deterritorial Support Group – Ben Lear & Raph Schlembach – Camille Barbagallo & Nicholas Beuret – David Robertshaw, Rohan Orton & Will Barker – Antonis Vradis – Tabitha Bast & Hannah McClure – Andre Pusey & Bertie Russell – Federico Campagna – Emma Dowling

Publisher Minor Compositions, an imprint of Autonomedia, 2012
ISBN 978-1-57027-251-6
98 pages

Twenty reasons why it’s kicking off everywhere by Paul Mason (BBC Newsnight, February 2011)

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A Peer-Reviewed Newspaper, 1(2): In/Compatible Research (2012)

“World of the News – The world’s greatest peer-reviewed newspaper of in/compatible research presents cutting edge in/compatible research in an accessible FREE tabloid format. The newspaper partly addresses academia’s increasing demand for publication of academic peer-reviewed journal articles. Perhaps researchers need new visions of how to produce and consume research?

The content of the newspaper derives from a Ph.D. workshop and conference held in November 2011, at University of the Arts, Berlin (organised by Aarhus University in collaboration with transmediale/reSource for transmedial culture and the Vilém Flusser Archive). This provided an insight into current research from academics, practitioners, and Ph.D. researchers from an open call. Leading up to that event, and subsequent to it, a blog (this blog) has been gathering draft articles and discussions, reflecting on the key issues. This collaborative ‘peer-review’ process is further developed during the festival itself, on 01 February, 2012. So, although this may seem like old news in many ways, in terms of research practices, it breaks with some of the current academic conventions of peer-review, academic reputation, and what constitutes proper scholarly activity.”

Contributions by Christian Ulrik Andersen, Cesar Baio, Tatiana Bazzichelli, Zach Blas, Morten Breinbjerg, Geoff Cox, Lina Dokuzović, Jacob Gaboury, Kristoffer Gansing, Baruch Gottlieb, Jakob Jakobsen, Ioana Jucan, Dmytri Kleiner, Thomas Bjoernsten Kristensen, Magnus Lawrie, Giannina Lisitano, Aymeric Mansoux, Alex McLean, Rosa Menkman, Gabriel Menotti, Andrew Murphie, Jussi Parikka, Søren Pold, Morten Riis, Lasse Scherffig, Cornelia Sollfrank, Mathias Tarasiewicz, Tiziana Terranova, Marie Thompson, Nina Wenhart, Carolin Wiedemann, Siegfried Zielinski.

Edited by Geoff Cox and Christian Ulrik Andersen
Published by transmediale, Berlin, and Digital Aesthetics Research Centre, Aarhus University, Aarhus, January 2012
Creative Commons BY-NC-SA License
ISBN 8791810205
32 pages

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