Journal of Digital Humanities 1 (2): Audience, Substance, and Style (2012)

“With this second issue, the Journal of Digital Humanities continues to explore and challenge the composition of the academic journal and our field itself.”

Contributions by Andrew Prescott, Ted Underwood and Jordan Sellers, Diane M. Zorich, Jeremy Antley, Adam Chapman, Jeremiah McCall, Jeremy Antley, Kate Theimer, Miriam Posner, Mia Ridge, Anastasia Salter

Vol. 1, No. 2, Spring 2012
Editors: Daniel J. Cohen and Joan Fragaszy Troyano
Associate Editors: Sasha Hoffman, Jeri Wieringa
Publisher Roy Rosenzweig Center for History and New Media, June 2012
ISSN 2165-6673

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Journal of Digital Humanities 1:1 (2012)

The Journal of Digital Humanities is a comprehensive, peer-reviewed, open access journal that features the best scholarship, tools, and conversations produced by the digital humanities community in the previous quarter.

The journal offers expanded coverage of the digital humanities by publishing scholarly work beyond the traditional research article, selecting content from open and public discussions in the field, and by encouraging continued discussion through peer-to-peer review.

Contributions by Tim Hitchcock, Trevor Owens, Scott Weingart, Chad Black, Marc Downie and Paul Kaiser, Jeremy Boggs, Alison Booth, Daniel J. Cohen, Mitchell S. Green, Anne Houston, and Stephen Ramsay, Nik Honeysett and Michael Edson, Fred Gibbs, Natalia Cecire, Benjamin M. Schmidt, William G. Thomas, Jean Bauer, Patrick Murray-John, Elijah Meeks, Tom Scheinfeldt and Ryan Shaw, Mark Sample, Alexis Lothian, Peter Bradley, Tim Sherratt, Moya Z. Bailey, Amy Earhart, Boone B. Gorges, Jeremy Boggs, David McClure, Eric Rochester, and Wayne Graham

Vol. 1, No. 1, Winter 2011
Editors: Daniel J. Cohen, Joan Fragaszy Troyano
Associate Editors: Sasha Hoffman, Jeri Wieringa
Publisher Roy Rosenzweig Center for History and New Media, April 2012
ISSN 2165-6673

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Gary Hall (ed.): Digitize Me, Visualize Me, Search Me: Open Science and its Discontents (2011-)

“One of the aims of the Living Books About Life series is to provide a ‘bridge’ or point of connection, translation, even interrogation and contestation, between the humanities and the sciences. Accordingly, this introduction to Digitize Me, Visualize Me, Search Me takes as its starting point the so-called ‘computational turn’ to data-intensive scholarship in the humanities.

The phrase ‘the computational turn’ has been adopted to refer to the process whereby techniques and methodologies drawn from computer science and related fields – including science visualization, interactive information visualization, image processing, network analysis, statistical data analysis, and the management, manipulation and mining of data – are being increasingly used to produce new ways of approaching and understanding texts in the humanities – what is sometimes thought of as ‘the digital humanities’.” (from Introduction)

Publisher Open Humanities Press
Living Books About Life series

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